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Master of Moulins Coronation of the Virgin oil painting


Coronation of the Virgin
Painting ID::  2888
Master of Moulins
Coronation of the Virgin
c1500 Notre Dame, Moulins

   
   
     

Master of Moulins The Nativity of Cardinal Jean Rolin (mk08) oil painting


The Nativity of Cardinal Jean Rolin (mk08)
Painting ID::  21269
Master of Moulins
The Nativity of Cardinal Jean Rolin (mk08)
c.1480 Tempera on wood 55x73cm Autun,Musee Rolin

   
   
     

Master of Moulins Coronation of the Virgin (nn03) oil painting


Coronation of the Virgin (nn03)
Painting ID::  23393
Master of Moulins
Coronation of the Virgin (nn03)
c 1500 Oil on panel 157 x 142 cm 61 3/4 x 55 7/8 in Notre Dame Moulins

   
   
     

Master of Moulins Pierre de Bourbon and his Patron Saint oil painting


Pierre de Bourbon and his Patron Saint
Painting ID::  32396
Master of Moulins
Pierre de Bourbon and his Patron Saint
1498-99 Panel, 157 x 63 cm

   
   
     

Master of Moulins Anne of France presented by Saint John the Evangelist oil painting


Anne of France presented by Saint John the Evangelist
Painting ID::  32397
Master of Moulins
Anne of France presented by Saint John the Evangelist
1488 Panel

   
   
     

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     Master of Moulins
     French 1480-1500 Master of Moulins Gallery Until the late 20th century, the name of the painter of the Moulins Triptych was unknown, although art historians identified a number of other works that were evidently by the same hand. The first monograph on the Master of Moulins, written in 1961 by Madeleine Huillet d'Istria, argued that this artist did not actually exist, and that more than 12 different artists were responsible for the corpus of works traditionally ascribed to him. The Master's identity was established after an inscription was found on the reverse of a damaged painting, Christ with Crown of Thorns (1494) in the Royal Museums of Fine Arts of Belgium, Brussels, identifying the artist as Jean Hey, teutonicus and pictor egregius ("the famous painter"), and identifying the patron as Jean Cueillette, who was secretary to the King and an associate of the Bourbon family. Stylistic similarities link this painting to the works attributed to the Master of Moulins. The Master of Moulins appears to have been the court painter for the Bourbons, and from a surviving account for 1502-03, it is clear that the court painter's name was Jean; other candidates once considered plausible, such as Jean Perr??al and Jean Prevost, have proven untenable in the light of subsequent research. The term "Teutonicus", or "German" included Flemings at this date.

     Related Artists::.
     | Anna Bilinska-Bohdanowicz | Louis Ferdinand von Rayski | Francis Hopkinson Smith |


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