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Martin Johnson Heade Cattleya Orchid Three Brazilian Hummingbirds oil painting


Cattleya Orchid Three Brazilian Hummingbirds
Painting ID::  4110
Martin Johnson Heade
Cattleya Orchid Three Brazilian Hummingbirds


   
   
     

Martin Johnson Heade Two Hummingbirds oil painting


Two Hummingbirds
Painting ID::  4111
Martin Johnson Heade
Two Hummingbirds


   
   
     

Martin Johnson Heade Cattleya Orchid Three Brazilian Hummingbirds oil painting


Cattleya Orchid Three Brazilian Hummingbirds
Painting ID::  4112
Martin Johnson Heade
Cattleya Orchid Three Brazilian Hummingbirds


   
   
     

Martin Johnson Heade Hummingbirds and Two Varieties of Orchids oil painting


Hummingbirds and Two Varieties of Orchids
Painting ID::  4113
Martin Johnson Heade
Hummingbirds and Two Varieties of Orchids


   
   
     

Martin Johnson Heade Orchids and Hummingbirds oil painting


Orchids and Hummingbirds
Painting ID::  4115
Martin Johnson Heade
Orchids and Hummingbirds


   
   
     

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     Martin Johnson Heade
     American Hudson River School Painter, 1819-1904 Martin Johnson Heade (August 11, 1819-September 4, 1904) was a prolific American painter known for his salt marsh landscapes, seascapes, portraits of tropical birds, and still lifes. His painting style and subject matter, while derived from the romanticism of the time, is regarded by art historians as a significant departure from that of his peers. Art historians have come to disagree with the common view that Heade is a Hudson River School painter, a view given wide currency by Heade's inclusion in a landmark exhibition of Hudson River School landscapes at the Metropolitan Museum of Art in 1987. The leading Heade scholar and author of Heade's catalogue raisonn??, Theodore E. Stebbins, Jr., wrote some years after the 1987 Hudson River School exhibition that "...other scholars??myself included??have increasingly come to doubt that Heade is most usefully seen as standing within that school." According to the Heade catalogue raisonn??, only around 40 percent of his paintings were landscapes. The remaining majority were still lifes, paintings of birds, and portraits, subjects unrelated to the Hudson River School. Of Heade's landscapes, perhaps only 25 percent were painted of traditional Hudson River School subject matter. Heade had less interest in topographically accurate views than the Hudson River painters, and instead focused on mood and the effects of light. Stebbins writes, "If the paintings of the shore as well as the more conventional compositions...might lead one to think of Heade as a Hudson River School painter, the [marsh scenes] make it clear that he was not."

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     | Lambdin, George Cochran | Johan Pasch | John Wolcott Adams |


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