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MURILLO, Bartolome Esteban Adoration of the Shepherds zg oil painting


Adoration of the Shepherds zg
Painting ID::  8300
MURILLO, Bartolome Esteban
Adoration of the Shepherds zg
1650-55 Oil on canvas, 187 x 228 cm Museo del Prado, Madrid

   
   
     

MURILLO, Bartolome Esteban Adoration of the Magi sg oil painting


Adoration of the Magi sg
Painting ID::  8301
MURILLO, Bartolome Esteban
Adoration of the Magi sg
1655-60 Oil on canvas Toledo Museum of Art, Toledo, Ohio

   
   
     

MURILLO, Bartolome Esteban Annunciation shyu oil painting


Annunciation shyu
Painting ID::  8302
MURILLO, Bartolome Esteban
Annunciation shyu
1660-65 Oil on canvas, 125 x 103 cm Museo del Prado, Madrid

   
   
     

MURILLO, Bartolome Esteban The Young Beggar sg oil painting


The Young Beggar sg
Painting ID::  8303
MURILLO, Bartolome Esteban
The Young Beggar sg
c. 1645 Oil on canvas, 134 x 100 cm Mus??e du Louvre, Paris

   
   
     

MURILLO, Bartolome Esteban Boy with a Dog sgh oil painting


Boy with a Dog sgh
Painting ID::  8304
MURILLO, Bartolome Esteban
Boy with a Dog sgh
1650-60 Oil on canvas, 77,5 x 61,5 cm The Hermitage, St. Petersburg

   
   
     

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     MURILLO, Bartolome Esteban
     Spanish Baroque Era Painter, ca.1617-1682 Spanish religious and portrait painter. He was born in Seville, where most of his life was spent. There, c.1645, he painted a series of 11 pictures of the history of the Franciscan order for a monastery. These brought him immediate fame, and for the remainder of his life he was the favorite painter of the wealthy and pious Andalusian capital. His early works show the influence of Zurbarn in the dramatic use of light and shadow. Murillo adapted several compositions from northern and Italian prints. Notable works of his early years include St. Leander, St. Isidore, Vision of St. Anthony (all: cathedral, Seville), Birth of the Virgin (Louvre), and his series for the Church of Santa Maria la Blanca. In 1660 he was instrumental in founding the Seville Academy, of which he shared the presidency with the younger Francisco de Herrera. From 1670 to 1682, Murillo painted many of his major religious works, including those for the Charity Hospital and for the Capuchin convent (Seville Mus.). These religious works, particularly the Madonnas, are noted for their sweetness of mood. In 1682, while working on the Marriage of St. Catherine for the Capuchin church of Cediz, Murillo fell from a scaffold and died as a result of his injuries. Murillo's greatest works include his fine portraits, Don Andres de Andrade y la Col (Metropolitan Mus.) and Knight of the Collar (Prado) and his naturalistic genre paintings, such as Girl and Her Duenna (National Gall., Washington, D.C.) and Peasant Boy (National Gall., London).

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     | Felix Vallotton | Wachtel, Marion Kavanaugh | Georg Caspar Prenner |


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