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The Annunciation syy
Painting ID:: 8081
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The Annunciation syy
1425-30
Tempera on panel, 148 x 115 cm
National Gallery of Art, Washington
1425-30
Tempera_on_panel,_148_x_115_cm
National_Gallery_of_Art,_Washington
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Banquet of Herode (detail) sg
Painting ID:: 8082
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Banquet of Herode (detail) sg
1435
Fresco
Fonte Battisemale, Castiglione Olona
1435
Fresco
Fonte_Battisemale,_Castiglione_Olona
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Crucifixion hjy
Painting ID:: 8083
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Crucifixion hjy
1428-30
Fresco
San Clemente, Rome
1428-30
Fresco
San_Clemente,_Rome
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The Evangelists and The Doctors of Church sg
Painting ID:: 8084
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The Evangelists and The Doctors of Church sg
1428-30
Fresco
San Clemente, Rome
1428-30
Fresco
San_Clemente,_Rome
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Madonna with the Child s
Painting ID:: 8085
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Madonna with the Child s
Wood, 95,5 x 57 cm
Alte Pinakothek, Munich
Wood,_95,5_x_57_cm
Alte_Pinakothek,_Munich
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MASOLINO da Panicale
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Italian Early Renaissance Painter, ca.1383-1447
Florentine painter of the early Renaissance, whose real name was Tommaso di Cristoforo Fini. His versatile painting incorporated his feeling for decorative color with strong modeling and spatial organization. He was admitted (1423) to the apothecaries' guild in Florence, in which painters were enrolled, and was soon commissioned to paint the frescoes in the Brancacci Chapel in Florence. These were continued by his pupil Masaccio upon Masolino's departure (1427) for Hungary and were completed by Filippino Lippi, thus greatly complicating the question of authorship; currently scholars attribute to Masolino St. Peter Preaching, St. Peter Healing the Cripple, The Raising of Tabitha, and The Fall of Adam and Eve. Upon his return to Florence, Masolino found painters occupied with problems of perspective, light and shade, and classical architecture and decoration, ideas that he utilized while retaining much of the old Giottesque tradition. He went to Rome where he painted frescoes in the Church of San Clemente for the Cardinal Branda Castiglione. For the same patron he decorated the church of Castiglione di Olona in the province of Como, Italy. There he represented scenes from the life of the Virgin and of St. John the Baptist. Attributed to Masolino are The Foundation of Santa Maria Maggiore and a Madonna and Christ in Glory (Naples); |
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Related Artists::.
| Ralph Albert Blakelock | Jacob Levecq | George French Angas | |
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