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Karel Dujardin The Flood oil painting


The Flood
Painting ID::  1015
Karel Dujardin
The Flood
1660

   
   
     

Karel Dujardin Woman Milking a Red Cow oil painting


Woman Milking a Red Cow
Painting ID::  1016
Karel Dujardin
Woman Milking a Red Cow
National Museum, Stockholm

   
   
     

Karel Dujardin A Party of Charlatans in an Italian Landscape oil painting


A Party of Charlatans in an Italian Landscape
Painting ID::  1018
Karel Dujardin
A Party of Charlatans in an Italian Landscape
1657 Musee du Louvre, Paris

   
   
     

Karel Dujardin Tale of the Soldier oil painting


Tale of the Soldier
Painting ID::  1019
Karel Dujardin
Tale of the Soldier
Yale University Art Gallery

   
   
     

Karel Dujardin A Party of Charlatans in an Italian Landscape (mk05) oil painting


A Party of Charlatans in an Italian Landscape (mk05)
Painting ID::  20437
Karel Dujardin
A Party of Charlatans in an Italian Landscape (mk05)
1657 Canvas,17 1/2 x 20 1/2''(45 x 52 cm)Collection of Louis XIV;acquired in 1783 INV

   
   
     

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     Karel Dujardin
     1621-1678 Dutch Karel Dujardin Locations Dujardin was born in Amsterdam in 1640. After training with Nicolaes Berchem, he went to Italy when young, and became a member of the Society of Painters at Rome, among whom, he was known as Barba di Becco. In Rome, his works met with general approbation. According to some sources, on his way back to his native country, he contracted considerable debts at Lyon, to free himself from which, he married his old and rich landlady. He went with her to Amsterdam, where his pictures were valued very highly. He soon secretly left his home in that city, probably from dislike of his wife, and went back to Rome in 1675, where he was welcomed by his old friends and admirers, and lived at great expense. After a vist to Tangier he went to Venice, where he died in 1678. Most of his paintings are cabinet paintings of Italianate landscapes and or with farm animals and peasants. His landscapes have spirit and harmony, his figures expression, and his colour the brilliancy which distinguishes his school. His paintings are rare and command a high price. He also published fifty-two etchings of simiar subjects, with great spirit and ease. He painted a single, fine, portrait (probably a self-portrait), and a pair of Baroque religious paintings on the life of St Paul, probably commissioned, as they lie well outside his normal style. One of these, and the portrait, are in the National Gallery, London

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