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Julius Schnorr von Carolsfeld Portrait of Clata Bianca von Quandt (mk22) oil painting


Portrait of Clata Bianca von Quandt (mk22)
Painting ID::  22797
Portrait of Clata Bianca von Quandt (mk22)
c 1820 Oil on wood panel,37 x 26 cm Berlin,Nationalgalerie,Staatliche Museen zu Berlin-Preussischer Kulturbesitz
c_1820 Oil_on_wood_panel,37_x_26_cm Berlin,Nationalgalerie,Staatliche_Museen_zu_Berlin-Preussischer_Kulturbesitz
   
   
     

Julius Schnorr von Carolsfeld Portrait of Clara Bianca von Quandt oil painting


Portrait of Clara Bianca von Quandt
Painting ID::  38586
Portrait of Clara Bianca von Quandt
mk138 1820 Oil on wood 37x26cm
mk138 1820 Oil_on_wood 37x26cm
   
   
     

Julius Schnorr von Carolsfeld Study of Larkspur oil painting


Study of Larkspur
Painting ID::  38786
Study of Larkspur
mk141 ca.1816/26 Watercolor and pencil on paper 20x12.5cm
mk141 ca.1816/26 Watercolor_and_pencil_on_paper 20x12.5cm
   
   
     

Julius Schnorr von Carolsfeld The Family of St John the Baptist Visiting the Family of Christ oil painting


The Family of St John the Baptist Visiting the Family of Christ
Painting ID::  43995
The Family of St John the Baptist Visiting the Family of Christ
1817 Oil on canvas 123 x 102,5 cm
1817_ Oil_on_canvas 123_x_102,5_cm
   
   
     

Julius Schnorr von Carolsfeld The Wedding Feast at Cana oil painting


The Wedding Feast at Cana
Painting ID::  43996
The Wedding Feast at Cana
1819 Oil on canvas, 140 x 210 cm
1819_ Oil_on_canvas,_ 140_x_210_cm
   
   
     

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     Julius Schnorr von Carolsfeld
     1794-1872 Painter and draughtsman, brother of Ludwig Ferdinand Schnorr von Carolsfeld. He was taught engraving by his father and then trained under Heinrich Feger at the Akademie in Vienna (1811-15). Though not particularly excited by the curriculum, he was inspired by his friendship with Ferdinand Olivier and Joseph Anton Koch and the circle around A. W. Schlegel to an interest in both landscape sketching and in old German and Netherlandish art, as reflected in the style of the detailed pen drawing of the Prodigal Son (1816; Dresden, Kupferstichkab.). From 1815 to 1818 he lived in the house of Ferdinand Olivier, whose step-daughter, Marie Heller, he later married. A painting of 1817, St Roch Distributing Alms

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