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Portait of a young man,half-length,wearing a breastplate and brooch,wearing a breastplate and brooch with the head of medusa,and the order of the gold
Painting ID:: 27343
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Portait of a young man,half-length,wearing a breastplate and brooch,wearing a breastplate and brooch with the head of medusa,and the order of the gold
mk56
oil on panel,in a carved and gilt wood frame
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oil_on_panel,in_a_carved_and_gilt_wood_frame
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Musical Company
Painting ID:: 52606
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Musical Company
Oil on panel, 97 x 115 cm
Oil_on_panel,_97_x_115_cm
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Johannes de Evangelist.
Painting ID:: 84003
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Johannes de Evangelist.
Date ca.1625-30
Medium Oil on canvas
Dimensions 94.3 x 77.6 cm (37.1 x 30.6 in)
cjr
Date_ca.1625-30
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Medium_Oil_on_canvas
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Dimensions_94.3_x_77.6_cm_(37.1_x_30.6_in)
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Johannes de Evangelist
Painting ID:: 87868
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Johannes de Evangelist
1625-30
Medium Oil on canvas
Dimensions 94.3 x 77.6 cm (37.1 x 30.6 in)
cyf
1625-30
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Medium_Oil_on_canvas
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Dimensions_94.3__x__77.6_cm_(37.1__x__30.6_in)
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cyf
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Music society
Painting ID:: 90646
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Music society
c 1640. Oil on canvas
17th century
cjr
c_1640._Oil_on_canvas_
17th_century
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1 | Prev Artist Next Artist
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Jan van Bijlert
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Dutch Baroque Era Painter, ca.1597-1671
Dutch painter. He was the son of the Utrecht glass painter Herman Beerntsz. van Bijlert (c. 1566-before 1615). Jan must have trained first with his father but was later apprenticed to the painter Abraham Bloemaert. After his initial training, he visited France and travelled to Italy, as did other artists from Utrecht. Jan stayed mainly in Rome, where he became a member of the Schildersbent; he returned to Utrecht in 1624. In Rome he and the other Utrecht artists had come under the influence of the work of Caravaggio; after their return home, this group of painters, who became known as the UTRECHT CARAVAGGISTI, adapted the style of Caravaggio to their own local idiom. The Caravaggesque style, evident in van Bijlert's early paintings, such as St Sebastian Tended by Irene (1624; Rohrau, Schloss; see fig.) and The Matchmaker (1626; Brunswick, Herzog Anton Ulrich-Mus.), is characterized by the use of strong chiaroscuro, the cutting off of the picture plane so that the image is seen close-up and by an attempt to achieve a realistic rather than idealized representation. |
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Related Artists::.
| Carl Tragardh | John Ritto Penniman | Leon Lhermitte | |
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