|
|
|
|
|
The Arnolfini Marriage
Painting ID:: 1162
|
The Arnolfini Marriage
1434
The National Gallery, London
1434__
The_National_Gallery,_London
|
| |
|
|
|
|
|
|
|
|
|
A Man in a Turban 3
Painting ID:: 1163
|
A Man in a Turban 3
1433
The National Gallery, London
1433__
The_National_Gallery,_London
|
| |
|
|
|
|
|
|
|
|
|
Portrait of Cardinal Niccolo Albergati
Painting ID:: 1165
|
Portrait of Cardinal Niccolo Albergati
1435-38
Art History Museum
1435-38__
Art_History_Museum
|
| |
|
|
|
|
|
|
|
|
|
The Virgin of Chancellor Rolin
Painting ID:: 1166
|
The Virgin of Chancellor Rolin
Musee du Louvre, Paris
Musee_du_Louvre,_Paris
|
| |
|
|
|
|
|
|
|
|
|
The Annunciation 6
Painting ID:: 1171
|
The Annunciation 6
1425-30
The National Gallery of Art, Washington DC
1425-30__
The_National_Gallery_of_Art,_Washington_DC
|
| |
|
|
|
|
|
|
|
|
| Prev Artist Next Artist
|
|
|
Jan Van Eyck
|
|
1395-1441
Flemish
Jan Van Eyck Locations
Painter and illuminator, brother of Hubert van Eyck.
According to a 16th-century Ghent tradition, represented by van Vaernewijck and Lucas d Heere, Jan trained with his brother Hubert. Pietro Summonte assertion (1524) that he began work as an illuminator is supported by the fine technique and small scale of most of Jan works, by manuscript precedents for certain of his motifs, and by his payment in 1439 for initials in a book (untraced) for Philip the Good, Duke of Burgundy. Jan is first documented in The Hague in August 1422 as an established artist with an assistant and the title of Master, working for John III, Count of Holland (John of Bavaria; reg 1419-25), who evidently discovered the artist while he was bishop (1389-1417) of the principality of Liege. Jan became the court official painter and was paid, with a second assistant when the work increased in 1423, continuously, probably until the count death in January 1425. |
|
Related Artists::.
| PREDIS, Ambrogio de | Giovanni Domenico Cerrini | John Robert Cozens | |
|
