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Stanczyk (mk19)
Painting ID:: 22345
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Stanczyk (mk19)
1862
Oil on canvas,88 x 120 cm
Muzeum Narodowe,Warsaw
1862
Oil_on_canvas,88_x_120_cm
Muzeum_Narodowe,Warsaw
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stanczyk
Painting ID:: 56261
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stanczyk
mk247
1862,oil on canvas,34.625x47.25 in,88x120 cm,muzeum narodowe,warsaw,poland
mk247
1862,oil_on_canvas,34.625x47.25_in,88x120_cm,muzeum_narodowe,warsaw,poland
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jan sobieski vanquisher of the turks at the gates of vienna
Painting ID:: 56306
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jan sobieski vanquisher of the turks at the gates of vienna
mk247
c.1883,oil on canvas,180x360 in,460x920 cm,sobieski room,vatican city ,ltaly
mk247
c.1883,oil_on_canvas,180x360_in,460x920_cm,sobieski_room,vatican_city_,ltaly
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Polonia
Painting ID:: 59778
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Polonia
Polonia (Poland), 1863. Oil on canvas, 156 ?? 232 cm, National Museum, Krak??w. Pictured is the aftermath of the failed January 1863 Uprising; one of the most patriotic and symbolic paintings by Matejko. Captives await exile to Siberia. Russian officers and soldiers supervise a blacksmith placing shackles on a woman (Polonia). The blonde next to her may represent Lithuania.
Polonia_(Poland),_1863._Oil_on_canvas,_156_??_232_cm,_National_Museum,_Krak??w._Pictured_is_the_aftermath_of_the_failed_January_1863_Uprising;_one_of_the_most_patriotic_and_symbolic_paintings_by_Matejko._Captives_await_exile_to_Siberia._Russian_officers_and_soldiers_supervise_a_blacksmith_placing_shackles_on_a_woman_(Polonia)._The_blonde_next_to_her_may_represent_Lithuania.
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Copernicus, in Conversation with God
Painting ID:: 59779
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Copernicus, in Conversation with God
Copernicus, in Conversation with God, (1872)
Copernicus,_in_Conversation_with_God,_(1872)
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Jan Matejko
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Polish Painter, 1838-1893
He studied from 1852 to 1858 at the School of Fine Arts in Krakew and, during this time, started exhibiting historical paintings with the Society of Friends of the Fine Arts there (e.g. Sigismund I Bestowing Nobility on the Professors of the University of Krakew in 1535 (1858; Krakew, Jagiellonian U., Mus. F.A.). After studying in Munich (1859) under the history painter Hermann Anschetz (1802-80) and then briefly and less successfully in Vienna, Matejko returned to Krak?w, where he was based for the rest of his life. In 1860 Matejko issued an illustrated album, Ubiory w Polsce (later editions 1875 and 1901), a project reflecting his intense interest in historical records of all kinds and his desire to promote such interest among the Polish people in an effort to intensify their patriotic feelings. This role first became widely associated with Matejko with his painting of Stanczyk (1862; Warsaw, N. Mus.), the court jester to King Sigismund I (1437-1548), to whom Matejko gave his own features. The jester is presented as a symbol of the nation's conscience |
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