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JORDAENS, Jacob Meleager and Atalanta oil painting


Meleager and Atalanta
Painting ID::  51058
JORDAENS, Jacob
Meleager and Atalanta
1618 Oil on canvas, 152 x 120 cm

   
   
     

JORDAENS, Jacob Christ Driving the Merchants from the Temple oil painting


Christ Driving the Merchants from the Temple
Painting ID::  63940
JORDAENS, Jacob
Christ Driving the Merchants from the Temple
1650 Oil on canvas, 288 x 436 cm Musee du Louvre, Paris , Artist: JORDAENS, Jacob , Christ Driving the Merchants from the Temple , 1651-1700 , Flemish , painting , religious

   
   
     

JORDAENS, Jacob Adoration of the Shepherds oil painting


Adoration of the Shepherds
Painting ID::  63967
JORDAENS, Jacob
Adoration of the Shepherds
Oil on canvas Mauritshuis, The Hague , Artist: JORDAENS, Jacob , Adoration of the Shepherds , 1651-1700 , Flemish , painting , religious

   
   
     

JORDAENS, Jacob An Apostle oil painting


An Apostle
Painting ID::  63968
JORDAENS, Jacob
An Apostle
1623-25 OIl on oak, 68,5 x 51,5 cm National Gallery, Prague Jordaens painted a series of apostles between 1623 and 1625. The model of these characteristic heads was Abraham Grapheus, the messenger of the St Luke Guild in Antwerp. , Artist: JORDAENS, Jacob , An Apostle , 1651-1700 , Flemish , painting , religious

   
   
     

JORDAENS, Jacob Portrait of a Young Married Couple oil painting


Portrait of a Young Married Couple
Painting ID::  63971
JORDAENS, Jacob
Portrait of a Young Married Couple
1615-1620 Oil on panel Museum of Fine Arts, Boston , Artist: JORDAENS, Jacob , Portrait of a Young Married Couple , 1651-1700 , Flemish , painting , portrait

   
   
     

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     JORDAENS, Jacob
     Flemish painter (b. 1593, Antwerpen, d. 1678, Antwerpen). Flemish painter, tapestry designer and draughtsman. In the context of 17th-century Flemish art, he emerges as a somewhat complicated figure. His oeuvre, the fruit of a continual artistic development, is characterized by great stylistic versatility, to which the length of his career contributed. His religious, mythological and historical representations evolved from the rhetorical prolixity of the Baroque into a vernacular, sometimes almost caricatural, formal idiom. The lack of idealistic treatment in his work is undoubtedly the factor that most removed Jordaens's art from that of his great Flemish contemporaries Rubens and van Dyck. Jordaens's officially commissioned works included many paintings in which the sublimity of the subject-matter clashed with the vulgarity of some of his figures. Unlike Rubens and van Dyck, both of whom were knighted in the course of their careers, Jordaens was, in fact, completely ignored by the courts of Spain and Brussels

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