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Ivan Argunov Portrait of Peasant Woman in Russian Costume oil painting


Portrait of Peasant Woman in Russian Costume
Painting ID::  30641
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Portrait of Peasant Woman in Russian Costume
mk68 Oil on canvas Moscow,Tretyakov State Gallery 1784 Russia
mk68 Oil_on_canvas Moscow,Tretyakov_State_Gallery 1784 Russia
   
   
     

Ivan Argunov Portrait of an Unknown Woman in Russian Costume oil painting


Portrait of an Unknown Woman in Russian Costume
Painting ID::  77511
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Portrait of an Unknown Woman in Russian Costume
Date 1784(1784) Medium Oil on canvas Dimensions 67 ?? 53.6 cm (26.4 ?? 21.1 in) cyf
Date_1784(1784) _ Medium_Oil_on_canvas _ Dimensions_67_??_53.6_cm_(26.4_??_21.1_in) _ cyf
   
   
     

Ivan Argunov Portrait of Catherine II of Russia oil painting


Portrait of Catherine II of Russia
Painting ID::  77710
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Portrait of Catherine II of Russia
1762(1762) Medium Oil on canvas Dimensions 245 ?? 176 cm (96.5 ?? 69.3 in) cyf
1762(1762) _ Medium_Oil_on_canvas _ Dimensions_245_??_176_cm_(96.5_??_69.3_in) _ cyf
   
   
     

Ivan Argunov Portrait of an Unknown Woman in Russian Costume oil painting


Portrait of an Unknown Woman in Russian Costume
Painting ID::  80247
Visit European Gallery
Portrait of an Unknown Woman in Russian Costume
1784(1784) Medium Oil on canvas Dimensions 67 x 53.6 cm (26.4 x 21.1 in) cyf
1784(1784) _ Medium_Oil_on_canvas _ Dimensions_67_x_53.6_cm_(26.4_x_21.1_in) _ cyf
   
   
     

Ivan Argunov Portrait of Countess Tolstaya oil painting


Portrait of Countess Tolstaya
Painting ID::  80468
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Portrait of Countess Tolstaya
1768(1768) Medium Oil on canvas Dimensions 96.5 x 78.5 cm (38 x 30.9 in) cyf
1768(1768) _ Medium_Oil_on_canvas _ Dimensions_96.5_x_78.5_cm_(38_x_30.9_in) _ cyf
   
   
     

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     Ivan Argunov
     Russian Rococo Era Painter , 1727/1729-1802 Russian painter and teacher. He came from a family of serfs, belonging to the Counts Sheremetev, that produced several painters and architects. In about 1746-7 he was a pupil of Georg Christoph Grooth (1716-49), who painted portraits of the Sheremetev family. With Grooth, Argunov worked on the decoration of the court church at Tsarskoye Selo (now Pushkin). A full-length icon of St John of Damascus (1749; Pushkin, Pal.-Mus.), in Rococo style, is distinguished by its secular, decorative character. The Dying Cleopatra (1750; Moscow, Tret'yakov Gal.) is typical of Rococo decorative painting of the mid-18th century, with its striking combination of light, soft tones. Argunov subsequently painted in a quite different style, mainly producing portraits, of which about 60 are known. Among the first of these are pendant portraits of Ivan Lobanov-Rostovsky and his wife (1750 and 1754; St Petersburg, Rus. Mus.), in which the sitters are idealized, as in ceremonial court portraits.

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