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Portrait of Alexander Dmitriev Painting ID:: 80666
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Portrait of Alexander Dmitriev Date 1802
cyf Date_1802
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Portrait of P.B. Sheremetev Painting ID:: 87457
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Portrait of P.B. Sheremetev Date 1760
Medium Oil on canvas
Dimensions 92 x 73.5 cm (36.2 x 28.9 in)
cjr Date_1760
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Medium_Oil_on_canvas
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Dimensions_92__x__73.5_cm_(36.2__x__28.9_in)
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Portrait of P.B. Sheremetev Painting ID:: 92228
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Portrait of P.B. Sheremetev 1760
Medium oil on canvas
Dimensions 92 ?? 73.5 cm (36.2 ?? 28.9 in)
cyf 1760
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Medium_oil_on_canvas
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Dimensions_92_??_73.5_cm_(36.2_??_28.9_in)
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Portrait of K.A. Khripunov Painting ID:: 94882
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Portrait of K.A. Khripunov 1757(1757)
Medium oil on canvas
Dimensions 73.5 ?? 57.5 cm (28.9 ?? 22.6 in)
cjr 1757(1757)
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Medium_oil_on_canvas
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Dimensions_73.5_??_57.5_cm_(28.9_??_22.6_in)
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Portrait of Grand Duchess Catherine Alexeyevna Painting ID:: 94883
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Portrait of Grand Duchess Catherine Alexeyevna before 1762(1762)
cjr before_1762(1762)
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Ivan Argunov
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Russian Rococo Era Painter , 1727/1729-1802
Russian painter and teacher. He came from a family of serfs, belonging to the Counts Sheremetev, that produced several painters and architects. In about 1746-7 he was a pupil of Georg Christoph Grooth (1716-49), who painted portraits of the Sheremetev family. With Grooth, Argunov worked on the decoration of the court church at Tsarskoye Selo (now Pushkin). A full-length icon of St John of Damascus (1749; Pushkin, Pal.-Mus.), in Rococo style, is distinguished by its secular, decorative character. The Dying Cleopatra (1750; Moscow, Tret'yakov Gal.) is typical of Rococo decorative painting of the mid-18th century, with its striking combination of light, soft tones. Argunov subsequently painted in a quite different style, mainly producing portraits, of which about 60 are known. Among the first of these are pendant portraits of Ivan Lobanov-Rostovsky and his wife (1750 and 1754; St Petersburg, Rus. Mus.), in which the sitters are idealized, as in ceremonial court portraits. |
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Related Artists::. | BALDOVINETTI, Alessio | Miroslav Kraljevic | karl madsen | |
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