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Ignacio Pinazo Camarlench Learning by Heart oil painting


Learning by Heart
Painting ID::  28796
Ignacio Pinazo Camarlench
Learning by Heart
mk61 1898 Oil on canvas 107x107cm

   
   
     

Ignacio Pinazo Camarlench The Pond oil painting


The Pond
Painting ID::  54420
Ignacio Pinazo Camarlench
The Pond
mk235 19.5x41cm Oil on canvas

   
   
     

Ignacio Pinazo Camarlench Template:Es oil painting


Template:Es
Painting ID::  71916
Ignacio Pinazo Camarlench
Template:Es
Oil on canvas 100.5 x 71.5 cm

   
   
     

Ignacio Pinazo Camarlench Retrato del Conde Guaki oil painting


Retrato del Conde Guaki
Painting ID::  77872
Ignacio Pinazo Camarlench
Retrato del Conde Guaki
1903(1903) Oil on canvas 110 ?? 87 cm (43.3 ?? 34.3 in) cjr

   
   
     

Ignacio Pinazo Camarlench Retrato del Conde Guaki oil painting


Retrato del Conde Guaki
Painting ID::  81134
Ignacio Pinazo Camarlench
Retrato del Conde Guaki
1903(1903) Medium Oil on canvas Dimensions 110 x 87 cm (43.3 x 34.3 in) cyf

   
   
     

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     Ignacio Pinazo Camarlench
     Spanish painter , 1849-1916 was a Spanish painter, and one of the most prominent artists of Valencia from the end of the nineteenth century, working in the Impressionist style. Born into a poor family, Pinazo was forced from a young age to assist in supporting the family by practising various trades. He had only attended eight grades when his mother died of the cholera, and young Ignazio was variously employed as a silversmith, a painter of tiles, and a decorator of fans. After his father's death, he lived with his grandparents, and in 1864 enrolled in the San Carlos Academy of Fine Arts, Valencia, earning his living as a hatter. His artistic career started when he was 21, and he achieved his first success in Barcelona three years later. In 1871, work by him was displayed in the National Exhibition of Fine Arts for the first time. He visited Rome twice, the first time (1873) thanks to the sale of a painting. From 1876 to 1881 he lived in that city on a grant. When he returned to his native city in 1874, he abandoned the conventional historic themes he had so far devoted his efforts to, and instead started painting family subjects, nude figures, and scenes from daily life, thereby anticipating Joaqu'n Sorolla y Bastida and Francisco Domingo both in subject and style.

     Related Artists::.
     | Henry Redmore | William Westall | Chiari, Giuseppe |


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