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The Transfiguration Painting ID:: 29904
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The Transfiguration mk67
Panel
54 3/4x495/8in
Uffizi,Gallery
mk67
Panel
54_3/4x495/8in
Uffizi,Gallery
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Mary Magdalen Painting ID:: 29905
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Mary Magdalen mk67
Oil on canvas
33 7/16x31 1/8in
Pitti,Meridiana
mk67
Oil_on_canvas
33_7/16x31_1/8in
Pitti,Meridiana
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Autoportrait ditautrefois Portrait de Gaston de Foix Painting ID:: 30962
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Autoportrait ditautrefois Portrait de Gaston de Foix mk70
Toile
H.0,91
L.1,23
Paris,Musee du Louvre
mk70
Toile
H.0,91
L.1,23
Paris,Musee_du_Louvre
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Transfiguration Painting ID:: 74377
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Transfiguration Description Giovanni Gerolamo Savoldo 005.jpg
Transfiguration
Date 16th century
cyf Description_Giovanni_Gerolamo_Savoldo_005.jpg_
Transfiguration
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Date_16th_century
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Saint Matthew and the Angel Painting ID:: 91441
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Saint Matthew and the Angel 1534
Medium oil on canvas
Dimensions Français : 93,3 x 124,5 cm
cjr 1534_
Medium_oil_on_canvas
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Dimensions_Français_:_93,3_x_124,5_cm_
cjr
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1 | Prev Artist Next Artist
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Giovanni Gerolamo Savoldo
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Italian Mannerist Painter , c. 1480 - aft.1548
was an Italian High Renaissance painter. Savoldo was born in Brescia, but little is known about his early years. Some sources claim he was known as Girolamo Bresciano. By 1506 he was in Parma, and by 1508, he had joined the Florentine painter??s guild. In this period he finished the Rest at the Flight from Egypt (Augsburg), the Elijah Harassed by a Crow (National Gallery of Art, Washington), and a Deposition. In 1515 he painted the Portrait of a Clad Warrior, wrongly identified with Gaston de Foix. Also from the same period his the Temptings of St. Anthony, which appears to show the influence of the Flemish Hieronymus Bosch. The works was appreciated by the commissioners from Venice, where Savoldo relocated before 1520. On June 15, 1524 he signed a contract for an altarpiece for the church of San Domenico in Pesaro (now in the Brera, Milan). In 1527, he completed a St. Hieronymus for the Brescian family Averoldi, probably the one at National Gallery of London. From the 1530s dates a Nativity at the National Gallery in Washington DC, which seems influenced by the lambent contemporary, Correggio painting on the same topic. In 1533 Savoldo painted a Madonna with Four Saints in the church of Santa Maria in Organo, while in 1537-1538 he executed the altarpiece for the main altar of Santa Croce, Brescia. |
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Related Artists::. | Aubrey Beardsley | Osborne, William | Nikolai Petrovitch Bogdanov-Belsky | |
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