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Giovanni Gerolamo Savoldo The Transfiguration oil painting


The Transfiguration
Painting ID::  29904
Giovanni Gerolamo Savoldo
The Transfiguration
mk67 Panel 54 3/4x495/8in Uffizi,Gallery

   
   
     

Giovanni Gerolamo Savoldo Mary Magdalen oil painting


Mary Magdalen
Painting ID::  29905
Giovanni Gerolamo Savoldo
Mary Magdalen
mk67 Oil on canvas 33 7/16x31 1/8in Pitti,Meridiana

   
   
     

Giovanni Gerolamo Savoldo Autoportrait ditautrefois Portrait de Gaston de Foix oil painting


Autoportrait ditautrefois Portrait de Gaston de Foix
Painting ID::  30962
Giovanni Gerolamo Savoldo
Autoportrait ditautrefois Portrait de Gaston de Foix
mk70 Toile H.0,91 L.1,23 Paris,Musee du Louvre

   
   
     

Giovanni Gerolamo Savoldo Transfiguration oil painting


Transfiguration
Painting ID::  74377
Giovanni Gerolamo Savoldo
Transfiguration
Description Giovanni Gerolamo Savoldo 005.jpg Transfiguration Date 16th century cyf

   
   
     

Giovanni Gerolamo Savoldo Saint Matthew and the Angel oil painting


Saint Matthew and the Angel
Painting ID::  91441
Giovanni Gerolamo Savoldo
Saint Matthew and the Angel
1534 Medium oil on canvas Dimensions Français : 93,3 x 124,5 cm cjr

   
   
     

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     Giovanni Gerolamo Savoldo
     Italian Mannerist Painter , c. 1480 - aft.1548 was an Italian High Renaissance painter. Savoldo was born in Brescia, but little is known about his early years. Some sources claim he was known as Girolamo Bresciano. By 1506 he was in Parma, and by 1508, he had joined the Florentine painter??s guild. In this period he finished the Rest at the Flight from Egypt (Augsburg), the Elijah Harassed by a Crow (National Gallery of Art, Washington), and a Deposition. In 1515 he painted the Portrait of a Clad Warrior, wrongly identified with Gaston de Foix. Also from the same period his the Temptings of St. Anthony, which appears to show the influence of the Flemish Hieronymus Bosch. The works was appreciated by the commissioners from Venice, where Savoldo relocated before 1520. On June 15, 1524 he signed a contract for an altarpiece for the church of San Domenico in Pesaro (now in the Brera, Milan). In 1527, he completed a St. Hieronymus for the Brescian family Averoldi, probably the one at National Gallery of London. From the 1530s dates a Nativity at the National Gallery in Washington DC, which seems influenced by the lambent contemporary, Correggio painting on the same topic. In 1533 Savoldo painted a Madonna with Four Saints in the church of Santa Maria in Organo, while in 1537-1538 he executed the altarpiece for the main altar of Santa Croce, Brescia.

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     | Jacopo Bellini | jean metzinger | E.Claus |


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