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George Richmond Christ and the Woman of Samaria oil painting


Christ and the Woman of Samaria
Painting ID::  26351
George Richmond
Christ and the Woman of Samaria
mk49 1828

   
   
     

George Richmond Abel the Shepherd oil painting


Abel the Shepherd
Painting ID::  26379
George Richmond
Abel the Shepherd
mk49 1825 Tempera on oak, 23x30.8cm

   
   
     

George Richmond Portrait of an Artist oil painting


Portrait of an Artist
Painting ID::  26380
George Richmond
Portrait of an Artist
mk49 1829

   
   
     

George Richmond Self-Portrait oil painting


Self-Portrait
Painting ID::  26381
George Richmond
Self-Portrait
mk49 1830 Gouache on ivory,oval 8.9x6.8cm

   
   
     

George Richmond Christ and the Woman of Samaria oil painting


Christ and the Woman of Samaria
Painting ID::  26382
George Richmond
Christ and the Woman of Samaria
mk49 1828 Tempera on wood 41x49.8cm

   
   
     

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     George Richmond
     English Painter, 1809-1896 Painter, draughtsman and engraver. He was a precocious draughtsman. In 1824 he entered the Royal Academy, London, the same year as Edward Calvert, who was a part-time student of Joseph Severn. Richmond first exhibited at the Academy in 1825 and that year met William Blake in the Highgate house of John Linnell (ii). Like his lifelong friend Samuel Palmer, Richmond fell under Blake's spell, comparing him to the Prophet Isaiah and forming close friendships with Blake's other disciples, including Calvert. He visited Palmer at Shoreham, chiefly in the summer of 1827, and both he and Calvert became prominent members of Palmer's band of ANCIENTS, who frequented the Kent village in the late 1820s and early 1830s. The tempera panel Abel the Shepherd (1826; London, Tate) is typical of Richmond's early paintings, which reflect the pronounced influence of both Blake and Palmer. They are painted in an archaic style and include Christian and literary themes and high-minded if obscure genre subjects such as the Eve of Separation (1830; Oxford, Ashmolean). The human figure was central to these pictures as it was not for Palmer, who expressed sentiment through landscape motifs. Richmond was also active as a draughtsman and miniaturist during this period; his Christ-like head of Palmer, in watercolour and gouache on vellum (London, N.P.G.), dates from 1829.

     Related Artists::.
     | Bernardo Bellotoo | Gerard ter Borch the Younger | Pierre-Jacques Volaire |


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