GO HOME
Visit European Gallery



  1  2  3  4  5  6  7  8  9  10   Next
 
 
Prev Artist       Next Artist     

GUERCINO Angels Weeping over the Dead Christ hj oil painting


Angels Weeping over the Dead Christ hj
Painting ID::  7229
GUERCINO
Angels Weeping over the Dead Christ hj
1618 Oil on copper, 36 x 44 cm National Gallery, London

   
   
     

GUERCINO Et in Arcadia Ego kh oil painting


Et in Arcadia Ego kh
Painting ID::  7230
GUERCINO
Et in Arcadia Ego kh
1618-22 Oil on canvas, 82 x 91 cm Galleria Nazionale d'Arte Antica, Rome

   
   
     

GUERCINO Aurora ig oil painting


Aurora ig
Painting ID::  7231
GUERCINO
Aurora ig
1621 Fresco Casino Ludovisi, Rome

   
   
     

GUERCINO Aurora  ihi oil painting


Aurora ihi
Painting ID::  7232
GUERCINO
Aurora ihi
1621-23 Fresco Casino Ludovisi, Rome

   
   
     

GUERCINO A Donor Presented to the Virgin lkhi oil painting


A Donor Presented to the Virgin lkhi
Painting ID::  7233
GUERCINO
A Donor Presented to the Virgin lkhi
1616 Oil on canvas, 309 x 192 cm Mus??es Royaux des Beaux-Arts, Brussels

   
   
     

  1  2  3  4  5  6  7  8  9  10   Next
Prev Artist       Next Artist     

     GUERCINO
     Italian Baroque Era Painter, 1591-1666 best known as Guercino or Il Guercino, was an Italian Baroque painter from the region of Emilia, and active in Rome and Bologna. Guercino is Italian for squinter, a nickname that was given to him because he was cross-eyed. He is especially noted for his many superb drawings. Guercino was born at Cento, a village between Bologna and Ferrara. By the age of 17 he was associated with Benedetto Gennari, a painter of the Bolognese School. By 1615 he moved to Bologna, where his work earned the praise of an elder Ludovico Carracci. He painted two large canvases, Elijah Fed by Ravens and Samson Seized by Philistines, in what appears to be a stark naturalist Caravaggesque style (although it is unlikely he had been able to see any of the Roman Caravaggios first-hand). They were painted for Cardinal Serra, Papal Legate to Ferrara. The Arcadian Shepherds (Et in Arcadia ego) was painted in 1618 contemporary with The Flaying of Marsyas by Apollo in Palazzo Pitti. His first style, he often claimed, was influenced by a canvas of Carracci in Cento. Some of his later pieces approach rather to the manner of his great contemporary Guido Reni, and are painted with more lightness and clearness. Guercino was esteemed very highly in his lifetime. He was then recommended by Marchese Enzo Bentivoglio to the Bolognese Ludovisi Pope, Pope Gregory XV. His two years (1621-23) spent in Rome were very productive. From this stay date his frescoes of Aurora at the casino of the Villa Ludovisi and the ceiling in San Crisogono (1622) of San Chrysogonus in Glory; his portrait of Pope Gregory (now in the Getty Museum, and, what is considered his masterpiece, The Burial of Saint Petronilla or St. Petronilla Altarpiece, for the Vatican (now in the Museo Capitolini). The Franciscan order of Reggio in 1655 paid him 300 ducats for the altarpiece of Saint Luke Displaying a Painting of the Madonna and Child (now in Nelson-Atkins Museum of Art, Kansas City). The Corsini also paid him 300 ducats for the Flagellation of Christ painted in 1657.

     Related Artists::.
     | Adam Pijnacker | Cornelis Saftleven | Edouard Debat Ponsan |


IntoFineArt Co,.Ltd.