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Four Studies of a Woman ds
Painting ID:: 6848
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Four Studies of a Woman ds
1602-03
Chalk on paper, 261 x 322 mm
Mus??es Royaux des Beaux-Arts, Brussels
1602-03
Chalk_on_paper,_261_x_322_mm
Mus??es_Royaux_des_Beaux-Arts,_Brussels
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The Exercise of Armes (details) fdgh
Painting ID:: 6849
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The Exercise of Armes (details) fdgh
1619
Woodcut, 178 x 127 mm (each)
Private collection
1619
Woodcut,_178_x_127_mm_(each)
Private_collection
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Neptune and Amphitrite df
Painting ID:: 6850
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Neptune and Amphitrite df
Oil on canvas, 103,5 x 137 cm
Wallraf-Richartz Museum, Cologne
Oil_on_canvas,_103,5_x_137_cm
Wallraf-Richartz_Museum,_Cologne
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Four Studies of Frogs
Painting ID:: 43945
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Four Studies of Frogs
142 x 196 mm
142_x_196_mm
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1 | Prev Artist Next Artist
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GHEYN, Jacob de II
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Dutch engraver/painter (b. 1565, Antwerp, d. 1629, The Hague).
was a Dutch painter and engraver, whose work shows the transition from Northern Mannerism to Dutch realism over the course of his career. De Gheyn received his first training from his father, Jacob de Gheyn I, a glass painter, engraver, and draftsman. In 1585, he moved to Haarlem, and studied under Hendrik Goltzius for the next five years. He moved again to Leiden in the middle of the 1590s. His first commission was for an engraving of the Siege of Geertruitenberg from Amsterdam city officials in 1593. Around 1600, de Gheyn abandoned engraving, and focused his work on painting and etching. Moving to The Hague in 1605, he was employed often by Dutch royalty, designing a garden in the Buitenhof for Prince Maurice of Orange which featured the two first grottoes in the Netherlands. After Prince Maurice's death in 1625, de Gheyn worked for Prince Frederick Henry, his brother. De Gheyn painted some of the earliest female nudes, vanitas, and floral still lifes in Dutch art. He is credited with creating over 1,500 drawings, including landscapes and natural history illustrations. |
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Related Artists::.
| Mercier, Philippe | MANUEL, Niklaus | Adolphe William Bouguereau | |
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