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Frederick Goodall A New Light in the Harem (mk32) oil painting


A New Light in the Harem (mk32)
Painting ID::  25069
Frederick Goodall
A New Light in the Harem (mk32)
Une nouvelle lumiere dans le harem huile sur toile 122 x 213.5 cm 1884 Sudley Art Gallery Liverpool Non seulement le nouveau-ne n'etait jamais laisse seul mais on le protegeait par certains rites contre le mauvais ceil

   
   
     

Frederick Goodall Marchande de pigeons egyptienne (mk32) oil painting


Marchande de pigeons egyptienne (mk32)
Painting ID::  25226
Frederick Goodall
Marchande de pigeons egyptienne (mk32)
huile sur toile monogrammee datee 1875 94.5 x 70.5 cm Coll part Anc Gallery Keops Geneve Une femme fellah vend des pigeons a manger

   
   
     

Frederick Goodall Jessie's Dream:The Campbells are Coming,Lucknow,Septermber,1857 oil painting


Jessie's Dream:The Campbells are Coming,Lucknow,Septermber,1857
Painting ID::  27969
Frederick Goodall
Jessie's Dream:The Campbells are Coming,Lucknow,Septermber,1857
1858 oil on canvas 80.4 x 121.9 cm (31 5/8 x 48 in)Sheffield Museum and Mappin Art Gallery (mk63)

   
   
     

Frederick Goodall Jessie's Dream:The Campbells are Coming Lucknow,September,1857 oil painting


Jessie's Dream:The Campbells are Coming Lucknow,September,1857
Painting ID::  27973
Frederick Goodall
Jessie's Dream:The Campbells are Coming Lucknow,September,1857
1858 oil on canvas 80.4 x 121.9 cm (315/8 x 48 in) Sheffield Museum and Mappin Art Gallery (mk63)

   
   
     

Frederick Goodall Puritan and Cavalier oil painting


Puritan and Cavalier
Painting ID::  28210
Frederick Goodall
Puritan and Cavalier
1886 Oil on canvas 113 x 184.8 cm (44 1/2 x 72 7/8 in)Walker Art Gallery Liverpool (mk63)

   
   
     

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     Frederick Goodall
     British Painter, 1822-1904 Painter, son of Edward Goodall. He was taught by his father and first exhibited at the Royal Academy in 1838. His earliest subjects were rural genre scenes and landscapes, many derived from sketching trips made between 1838 and 1857 in Normandy, Brittany, Wales, Ireland, Scotland and Venice. In the 1850s he also painted subjects from British history. More significant for his subsequent career was his visit to Egypt from September 1858 to April 1859. In Cairo he lived in a house in the Coptic quarter with Carl Haag. Together the two artists went on expeditions to Giza to draw the Nile, the Sphinx and Pyramids, and to Suez and across the Red Sea to the Wells of Moses at 'Uyen Mesa. Goodall also made rapid sketches in the crowded streets of Cairo. 'My sole object in paying my first visit to Egypt', he wrote, 'was to paint Scriptural subjects'. The first of these, Early Morning in the Wilderness of Shur (London, Guildhall A.G.), was exhibited at the Royal Academy in 1860 and won him critical and popular acclaim. In 1864 he was elected RA. Much of the rest of Goodall's long career was devoted to painting similar scenes of Egyptian life with biblical associations, for which he made reference to his sketches and to Egyptian artefacts and clothing. Their success prompted a second visit to Egypt in 1870-71.

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     | VELDE, Adriaen van de | BASSETTI, Marcantonio | Bernardo Bellotto |


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