|
|
|
|
|
Portrait of an Elderly Lady Painting ID:: 1502
|
Portrait of an Elderly Lady 1633
National Gallery of Art, Washington DC
40 3/8 x 34 3/16 in / 1.025 x .869 m
1633_
National_Gallery_of_Art,_Washington_DC_
40_3/8_x_34_3/16_in_/_1.025_x_.869_m
|
| |
|
|
|
|
|
|
|
|
|
Portrait of a Young Man with a Skull Painting ID:: 1503
|
Portrait of a Young Man with a Skull c1626/28 National Gallery, London c1626/28_National_Gallery,_London
|
| |
|
|
|
|
|
|
|
|
|
Young Man and Woman in an Inn Painting ID:: 1504
|
Young Man and Woman in an Inn 1623 Metropolitan Museum of Art, New York 1623_Metropolitan_Museum_of_Art,_New_York
|
| |
|
|
|
|
|
|
|
|
|
Portrait of Samuel Ampzing Painting ID:: 1505
|
Portrait of Samuel Ampzing 1630 1630
|
| |
|
|
|
|
|
|
|
|
|
Maria Pietersdochter Olycan Painting ID:: 1506
|
Maria Pietersdochter Olycan Museum of Art, Sao Paolo Museum_of_Art,_Sao_Paolo
|
| |
|
|
|
|
|
|
|
|
| Prev Artist Next Artist
|
|
|
Frans Hals
|
|
1580-1666
Frans Hals Galleries
In the field of group portraiture his work is equalled only by that of Rembrandt. Hals's portraits, both individual and group, have an immediacy and brilliance that bring his sitters to life in a way previously unknown in the Netherlands. This effect, achieved by strong Baroque designs and the innovative use of loose brushstrokes to depict light on form, was not to the taste of critics in the 18th century and the early 19th, when his work was characterized as lazy and unfinished. However, with the rise of Realism and, later, Impressionism, Hals was hailed as a modern painter before his time. Since then his works have always been popular. |
|
Related Artists::. | Jacob Isaacksz. van Ruisdael | Caroline Watson | U.F. Beenfeldt | |
|