GO HOME
Visit European Gallery



       Prev  7  8  9  10  11  12  13  14  15  16   Next
 
 
Prev Artist       Next Artist     

Francisco de Zurbaran Stilleben with oranges oil painting


Stilleben with oranges
Painting ID::  53807
Francisco de Zurbaran
Stilleben with oranges
mk234 1633 60x107cm

   
   
     

Francisco de Zurbaran The Lying-in-State of St Bonaventure oil painting


The Lying-in-State of St Bonaventure
Painting ID::  55736
Francisco de Zurbaran
The Lying-in-State of St Bonaventure
mk244 1629 Oil on canvas 245x220cm

   
   
     

Francisco de Zurbaran St Margaret oil painting


St Margaret
Painting ID::  55770
Francisco de Zurbaran
St Margaret
mk244 Oil on canvas 192x112cm London

   
   
     

Francisco de Zurbaran still life with lemons,oranges and a rose oil painting


still life with lemons,oranges and a rose
Painting ID::  57339
Francisco de Zurbaran
still life with lemons,oranges and a rose
mk247 1633,oil on canvas,24.5x43.125 in,62.2x109.5 cm,norton simon museum,pasadena,ca,usa

   
   
     

Francisco de Zurbaran Probable self portrait of Francisco Zurbaran as Saint Luke, oil painting


Probable self portrait of Francisco Zurbaran as Saint Luke,
Painting ID::  61771
Francisco de Zurbaran
Probable self portrait of Francisco Zurbaran as Saint Luke,
Probable self-portrait of Francisco Zurbaran as Saint Luke, c. 1635?C1640.

   
   
     

       Prev  7  8  9  10  11  12  13  14  15  16   Next
Prev Artist       Next Artist     

     Francisco de Zurbaran
     1598-1664 Spanish Francisco de Zurbaran Galleries Spanish baroque painter, active mainly at Llerena, Madrid, and Seville. He worked mostly for ecclesiastical patrons. His early paintings, including Crucifixion (1627; Art Inst., Chicago), St. Michael (Metropolitan Mus.), and St. Francis (City Art Museum, St. Louis), often suggest the austere simplicity of wooden sculpture. The figures, placed close to the picture surface, are strongly modeled in dramatic light against dark backgrounds, indicating the influence of Caravaggio. They were clearly painted as altarpieces or devotional objects. In the 1630s the realistic style seen in his famous Apotheosis of St. Thomas Aquinas (1631; Seville) yields to a more mystical expression in works such as the Adoration of the Shepherds (1638; Grenoble); in this decade he was influenced by Ribera figural types and rapid brushwork. While in Seville, Zurbur??n was clearly influenced by Velazquez. After c.1640 the simple power of Zurbaran work lessened as Murillo influence on his painting increased (e.g., Virgin and Child with St. John, Fine Arts Gall., San Diego, Calif.). There are works by Zurbar??n in the Hispanic Society of America, New York City; the National Gallery, Washington, D.C.; and the Philadelphia Museum of Art..

     Related Artists::.
     | Abbey, Edwin Austin | Adrian Vanson | Amedeo Modigliani |


IntoFineArt Co,.Ltd.