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Fernand cormon Cain (san28) oil painting


Cain (san28)
Painting ID::  20826
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Cain (san28)
12' 5 /12"x22' 11 1/2"(380x700cm)
12'_5_/12"x22'_11_1/2"(380x700cm)
   
   
     

Fernand cormon A Forge oil painting


A Forge
Painting ID::  11062
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A Forge
1893(Salon of 1894) 2' 4 1/4'' x 2' 11 1/2''(72x 90 cm)
1893(Salon_of_1894) 2'_4_1/4''_x_2'_11_1/2''(72x_90_cm)
   
   
     

Fernand cormon Cain oil painting


Cain
Painting ID::  11505
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Cain
salon of 1880 12' 5 1/2'' x 22' 11 1/2''(380 x 700 cm)
salon_of_1880 12'_5_1/2''_x_22'_11_1/2''(380_x_700_cm)
   
   
     

Fernand cormon La favorite dechue (mk32) oil painting


La favorite dechue (mk32)
Painting ID::  25244
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La favorite dechue (mk32)
uile sur toile signee et datee 70 54.5 x 64.8 cm Coll Roy Brindley La nouvelle favorite semble singulierement peu touchee par le sort de son ancienne rivale
uile_sur_toile_signee_et_datee_70_54.5_x_64.8_cm_Coll_Roy_Brindley_La_nouvelle_favorite_semble_singulierement_peu_touchee_par_le_sort_de_son_ancienne_rivale
   
   
     

Fernand cormon Jalousie au serail (mk32) oil painting


Jalousie au serail (mk32)
Painting ID::  25246
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Jalousie au serail (mk32)
huile sur toile signee et datee 1874 160 x 220 cm Musee des Beaux-Arts et d'Archeologie Besancon
huile_sur_toile_signee_et_datee_1874_160_x_220_cm_Musee_des_Beaux-Arts_et_d'Archeologie_Besancon
   
   
     

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     Fernand cormon
     French Academic Painter, 1845-1924 French painter. He studied initially in Brussels under Jean-Fran?ois Portaels. In 1863 he returned to Paris, where for three years he was a pupil of Alexandre Cabanel and Eug?ne Fromentin. He made his d?but at the Salon in 1868 and in 1870 received a medal for the Marriage of the Niebelungen (1870; ex-Mus. B.-A., Lisieux, 1970). His painting the Death of King Ravana (1875; Toulouse, Mus. Augustins), taken from the Indian epic poem the Ramayana, was criticized for the choice of an obscure subject but was nevertheless awarded the Prix de Salon in 1875. Soon afterwards Cormon left France for Tunisia. After his return in 1877 he exhibited regularly at the Salon until his death, establishing a reputation as a painter of historical and religious subjects; he also produced some portraits.

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