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Fernand Khnopff The Abandoned Town oil painting


The Abandoned Town
Painting ID::  2166
Fernand Khnopff
The Abandoned Town
1904 Musees Royaux des Beaux Arts, Brussels Charcoal drawing, black pencil and pastel

   
   
     

Fernand Khnopff Marie Monnom oil painting


Marie Monnom
Painting ID::  11711
Fernand Khnopff
Marie Monnom
1887 1' 7 1/2'' x 1' 7 3/4''(49.5 x 50 cm)

   
   
     

Fernand Khnopff Art,or The Sphinx.or The Caresses (mk19) oil painting


Art,or The Sphinx.or The Caresses (mk19)
Painting ID::  22260
Fernand Khnopff
Art,or The Sphinx.or The Caresses (mk19)
1896 Oil on canvas 50 x 150 cm Musees Royaux des Beaux-Arts,Brussels

   
   
     

Fernand Khnopff Memories (mk19) oil painting


Memories (mk19)
Painting ID::  22299
Fernand Khnopff
Memories (mk19)
1889 Pastel 127 x 200 cm Musees Royaux des Beaux-Arts,Brussels

   
   
     

Fernand Khnopff The Abandoned Town (mk19) oil painting


The Abandoned Town (mk19)
Painting ID::  22300
Fernand Khnopff
The Abandoned Town (mk19)
1904 Charcoal drawing,Black pencil and pastel on paper backed with canvas,76 x 69 cm Musees Royaux des Beaux-Arts,Brussels

   
   
     

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     Fernand Khnopff
     1858-1921 Belgian Fernand Khnopff Gallery Fernand Khnopff was born to a wealthy family that was part of the high bourgeoisie for generations. Khnopff's ancestors had lived in Flanders since the early 17th-century but were of Austrian and Portuguese descent. Most male members of his family had been lawyers or judges, and young Fernand was destined for a juridical career. In his early childhood (1859-1864) he lived in Bruges where his father was appointed Substitut Du Procureur Du Roi. His childhood memories of the medieval city of Bruges would play a significant role in his later work. In 1864 the family moved to Brussels. To please his parents he went to law school at the Free University of Brussels (now divided into the Universite Libre de Bruxelles and the Vrije Universiteit Brussel) when he was 18 years old. During this period he developed a passion for literature, discovering the works of Baudelaire, Flaubert, Leconte de Lisle and other mostly French authors. With his younger brother Georges Khnopff - also a passionate amateur of contemporary music and poetry - he started to frequent Jeune Belgique ("Young Belgium"), a group of young writers including Max Waller, Georges Rodenbach, Iwan Gilkin and Emile Verhaeren. Khnopff left University due to a lack of interest in his law studies and began to frequent the studio of Xavier Mellery, who made him familiar with the art of painting. On the 25th of October 1876 he enrolled for the Cours De Dessin Apres Nature ("course of drawing after nature") at the Academie Royale des Beaux-Arts en Bruxelles. At the Academie, his most famous fellow student was James Ensor, whom he disliked from the start. Between 1877 and 1880 Khnopff made several trips to Paris where he discovered the work of Delacroix, Ingres, Moreau and Stevens. At the Paris World Fair of 1878 he became acquainted with the oeuvre of Millais and Burne-Jones. During his last year at the Acad??mie in 1878-1879 he neglected his classes in Brussels and lived for a while in Passy, were he visited the Cours Libres of Jules Joseph Lefebvre at the Acad??mie Julian.

     Related Artists::.
     | MEMLING, Hans | Jan ten Compe | Lodovico Mazzolino |


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