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Elihu Vedder The Cup of Death (mk19) oil painting


The Cup of Death (mk19)
Painting ID::  22294
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The Cup of Death (mk19)
1885 Oil on canvas,112.7 x 52.7 cm Virginia Museum of Fine Arts,Richmond(VA)
1885 Oil_on_canvas,112.7_x_52.7_cm Virginia_Museum_of_Fine_Arts,Richmond(VA)
   
   
     

Elihu Vedder Memory oil painting


Memory
Painting ID::  32041
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Memory
mk77 1870 Oil on canvas 20 5/16x14 3/4in
mk77 1870 Oil_on_canvas 20_5/16x14_3/4in
   
   
     

Elihu Vedder Soul in Bondage oil painting


Soul in Bondage
Painting ID::  39096
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Soul in Bondage
mk140 1891-92 Oil on canvas 96.1x60.9cm
mk140 1891-92 Oil_on_canvas 96.1x60.9cm
   
   
     

Elihu Vedder The Questioner of the Sphinx oil painting


The Questioner of the Sphinx
Painting ID::  39967
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The Questioner of the Sphinx
mk155 1863 Oil on canvas 91.5x106cm
mk155 1863 Oil_on_canvas 91.5x106cm
   
   
     

Elihu Vedder Prayer for Death in the Desert. oil painting


Prayer for Death in the Desert.
Painting ID::  61844
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Prayer for Death in the Desert.
Oil on Canvas. 14 x 49.5 in. ( 35.5 x 125.75 cm ). Brooklyn Museum of Art, NY. Gift of the American Academy of Arts and Letters.
Oil_on_Canvas._14_x_49.5_in._(_35.5_x_125.75_cm_)._Brooklyn_Museum_of_Art,_NY._Gift_of_the_American_Academy_of_Arts_and_Letters.
   
   
     

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     Elihu Vedder
     American Symbolist Painter, 1836-1923 American painter, illustrator, sculptor and writer. He studied under Tompkins Harrison Matteson in Shelbourne, NY, and went to Paris in March 1856. After eight months in the studio of Fran?ois-Edouard Picot, he settled in Florence until the end of 1860. There he learnt drawing from Raffaello Bonaiuti, became interested in the Florentine Renaissance and attended the free Accademia Galli. A more significant artistic inspiration came from the Italian artists at the Caff? Michelangiolo: Telemaco Signorini, Vincenzo Cabianca (1827-1902) and especially Nino Costa (1827-1902). This group sought new and untraditional pictorial solutions for their compositions and plein-air landscapes and were particularly interested in the experiences of Gustave Courbet and the Barbizon painters. They became known as Macchiaioli for their use of splashes (macchia) of light and shadows and for their revolutionary (maquis) attitude to prevailing styles. Among Vedder's most notable Florentine landscapes are Mugnone Torrent near Fiesole (Detroit, MI, Inst. A.) and Le Balze, Volterra (Washington, DC, N. Mus. Amer. A.)

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