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DYCK, Sir Anthony Van Portrait of Pieter Bruegel the Younger dfg oil painting


Portrait of Pieter Bruegel the Younger dfg
Painting ID::  6549
DYCK, Sir Anthony Van
Portrait of Pieter Bruegel the Younger dfg
Pen drawing Teylers Museum, Haarlem

   
   
     

DYCK, Sir Anthony Van Portrait of a Member of the Balbi Family oil painting


Portrait of a Member of the Balbi Family
Painting ID::  6516
DYCK, Sir Anthony Van
Portrait of a Member of the Balbi Family
c. 1625 Oil on canvas, 132,7 x 120 cm Cincinnati Art Museum, Cincinnati

   
   
     

DYCK, Sir Anthony Van Charles I: King of England at the Hunt drh oil painting


Charles I: King of England at the Hunt drh
Painting ID::  6517
DYCK, Sir Anthony Van
Charles I: King of England at the Hunt drh
1635 Oil on canvas Mus??e du Louvre, Paris

   
   
     

DYCK, Sir Anthony Van Charles I on Horseback fg oil painting


Charles I on Horseback fg
Painting ID::  6518
DYCK, Sir Anthony Van
Charles I on Horseback fg
c. 1635 Oil on canvas, 365 x 289 cm National Gallery, London

   
   
     

DYCK, Sir Anthony Van Portrait of a Young General dfgj oil painting


Portrait of a Young General dfgj
Painting ID::  6519
DYCK, Sir Anthony Van
Portrait of a Young General dfgj
1622-27 Oil on canvas, 115,5 x 104 cm Kunsthistorisches Museum, Vienna

   
   
     

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     DYCK, Sir Anthony Van
     Flemish Baroque Era Painter, 1599-1641 Flemish painter and draughtsman, active also in Italy and England. He was the leading Flemish painter after Rubens in the first half of the 17th century and in the 18th century was often considered no less than his match. A number of van Dyck's studies in oil of characterful heads were included in Rubens's estate inventory in 1640, where they were distinguished neither in quality nor in purpose from those stocked by the older master. Although frustrated as a designer of tapestry and, with an almost solitary exception, as a deviser of palatial decoration, van Dyck succeeded brilliantly as an etcher. He was also skilled at organizing reproductive engravers in Antwerp to publish his works, in particular The Iconography (c. 1632-44), comprising scores of contemporary etched and engraved portraits, eventually numbering 100, by which election he revived the Renaissance tradition of promoting images of uomini illustri. His fame as a portrait painter in the cities of the southern Netherlands, as well as in London, Genoa, Rome and Palermo, has never been outshone;

     Related Artists::.
     | Overbeck, Johann Friedrich | Nicolaas Baur | Raphael Coxie |


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