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Portrait of Ainolfo de Bardi
Painting ID:: 6410
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Portrait of Ainolfo de Bardi
1632
Oil on canvas, 149,5 x 119 cm
Galleria Palatina (Palazzo Pitti), Florence
1632
Oil_on_canvas,_149,5_x_119_cm
Galleria_Palatina_(Palazzo_Pitti),_Florence
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St Catherine Reading a Book sd
Painting ID:: 6411
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St Catherine Reading a Book sd
Oil on canvas
Residenzgalerie, Salzburg
Oil_on_canvas
Residenzgalerie,_Salzburg
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St Cecilia at the Organ dfg
Painting ID:: 6412
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St Cecilia at the Organ dfg
1671
Oil on canvas, 96,5 x 81 cm
Gemäldegalerie, Dresden
1671
Oil_on_canvas,_96,5_x_81_cm
Gemäldegalerie,_Dresden
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The Guardian Angel dfg
Painting ID:: 6413
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The Guardian Angel dfg
1675
Oil on canvas
Museum of the Cathedral, Prato
1675
Oil_on_canvas
Museum_of_the_Cathedral,_Prato
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Magdalene df
Painting ID:: 6414
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Magdalene df
1660-70
Oil on canvas, 73 x 56 cm
Galleria Palatina (Palazzo Pitti), Florence
1660-70
Oil_on_canvas,_73_x_56_cm
Galleria_Palatina_(Palazzo_Pitti),_Florence
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DOLCI, Carlo
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Italian Baroque Era Painter, 1616-ca.1686
was an Italian painter of the Baroque period, active mainly in Florence, known for highly finished religious pictures, often repeated in many versions. He was born in Florence, on his mother's side the grandson of a painter. Although he was precocious and apprenticed at a young age to Jacopo Vignali, Dolci was not prolific. "He would take weeks over a single foot", according to his biographer Baldinucci.His painstaking technique made him unsuited for large-scale fresco painting. He painted chiefly sacred subjects, and his works are generally small in scale, although he made a few life-size pictures. He often repeated the same composition in several versions, and his daughter, Agnese Dolci, also made excellent copies of his works. Dolci was known for his piety. It is said that every year during Passion Week he painted a half-figure of the Saviour wearing the Crown of Thorns. In 1682, when he saw Giordano, |
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Related Artists::.
| CAMBIASO, Luca | Hugh Henry Breckenridge | Heinrich Martin Krabbe | |
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