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Pieta (The Dead Christ Supported by Two Angels)
Painting ID:: 3207
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Pieta (The Dead Christ Supported by Two Angels)
1475
Art History Museum, Vienna
1475_
Art_History_Museum,_Vienna
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An Allegorical Figure
Painting ID:: 3208
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An Allegorical Figure
1460
National Gallery, London
1460_
National_Gallery,_London
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Pieta (mk05)
Painting ID:: 20065
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Pieta (mk05)
Wood 52 x 105 1/2''(132 x 268 cm)Entered the Louvre in 1863
Wood_52_x_105_1/2''(132_x_268_cm)Entered_the_Louvre_in_1863
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Anthony of Padua Reading (mk05)
Painting ID:: 20066
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Anthony of Padua Reading (mk05)
Wood 28 x 12 1/4''(71 x 31 cm)Campana Collection,Rome;entered the Louvre in 1863
Wood_28_x_12_1/4''(71_x_31_cm)Campana_Collection,Rome;entered_the_Louvre_in_1863
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The Spring
Painting ID:: 40211
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The Spring
mk156
c.1455-1460
Oil with egg tempera 116.2x71.1cm
National Gallery
London
mk156
c.1455-1460
Oil_with_egg_tempera_116.2x71.1cm
National_Gallery
London
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Cosimo Tura
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1430-95
Italian Cosimo Tura Galleries
Cosimo Tura (c. 1430 ?C 1495), also known as Il Cosm?? or Cosme Tura, was an Italian early-Renaissance (or Quattrocento) painter and considered one of the founders of the School of Ferrara.
Born in Ferrara, he was a student of Francesco Squarcione of Padua. Later he obtained patronage from both Dukes Borso and Ercole I d'Este. By 1460, he was stipended by the Ferrarese Court. His pupils include Francesco del Cossa and Francesco Bianchi. He appears influenced by Mantegna's and Piero della Francesca's quattrocento styles.
In Ferrara, he is well represented by frescoes in the Palazzo Schifanoia (1469?C71) . This pleasure palace, with facade and architecture of little note, belonged to the d'Este family and is located just outside the medieval town walls. Cosimo, along with Francesco del Cossa, helped produce an intricately conceived allegorical series about the months of the year and zodiac symbols. The series contains contemporary portraits of musicians, laborers, and carnival floats in idyllic parades. As in Piero della Francesca's world, the unemotive figures mill in classical serenity.
He also painted the organ doors for the Duomo showing the Annunciation (1469). He collaborated in the painting of a series of "muses" for a studiolo of Leonello d'Este, including the allegorical figure of Calliope at the National Gallery (see image). While the individual attributions are often debated, among the artists thought to complete the Angelo di Pietro da Sienna, also called Maccagino or Angelo Parrasio, and Michele Pannonio. |
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Related Artists::.
| Sergei Sudeikin | Alfred Elmore | peter breughel the elder | |
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