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Night,A Port in Moonlight (mk43)
Painting ID:: 25706
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Night,A Port in Moonlight (mk43)
1772
Musee du louvre,
Paris
1772
Musee_du_louvre,
Paris
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View Outside Sorrento
Painting ID:: 28434
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View Outside Sorrento
mk60
1745/50
Oil on canvas
23 1/2x44"
mk60
1745/50
Oil_on_canvas
23_1/2x44"
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A Sporting Contest on the Tiber at Rome
Painting ID:: 43255
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A Sporting Contest on the Tiber at Rome
mk170
1750
Oil on canvas
99.1x135.9cm
mk170
1750
Oil_on_canvas
99.1x135.9cm
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The Wounded Trumpeter
Painting ID:: 43994
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The Wounded Trumpeter
1819
Oil on canvas,
53 x 64 cm
1819_
Oil_on_canvas,
53_x_64_cm
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the gypsy boy and girl
Painting ID:: 56225
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the gypsy boy and girl
mk247
c.1850,oil on canvas,44.875x35 in,114x89 cm,private collection
mk247
c.1850,oil_on_canvas,44.875x35_in,114x89_cm,private_collection
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Claude-joseph Vernet
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French Painter, 1714-1789
Vernet probably received his first lessons in painting from his father, Antoine, who then encouraged him to move to the studio of Philippe Sauvan (1697-1792), the leading master in Avignon. Sauvan supplied altarpieces to local churches and decorative works and mythologies for grand houses in the area. After this apprenticeship Vernet worked in Aix-en-Provence with the decorative painter Jacques Viali ( fl 1681- 1745), who also painted landscapes and marine pictures. In 1731 Vernet independently produced a suite of decorative overdoors for the h?tel of the Marquise de Simiane at Aix-en-Provence; at least two of these survive (in situ) and are Vernet's earliest datable landscapes. These are early indications of his favoured type of subject, and Vernet would have studied works attributed to such 17th-century masters as Claude Lorrain, Gaspard Dughet and Salvator Rosa in private collections at Aix and Avignon. Three years later Joseph de Seytres, Marquis de Caumont, who had previously recommended Vernet to the Marquise de Simiane, offered to sponsor a trip to Italy. |
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Related Artists::.
| jonathan miller | CARRACCI, Agostino | Juan Bautista de Espinosa | |
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