|
|
|
|
|
Annunciation with Saint Emidius
Painting ID:: 669
Visit European Gallery
|
Annunciation with Saint Emidius
1486
National Gallery, London
1486__
National_Gallery,_London
|
| |
|
|
|
|
|
|
|
|
|
Lamentation over the Dead Christ
Painting ID:: 670
Visit European Gallery
|
Lamentation over the Dead Christ
1485
Museum of Fine Arts, Boston
1485__
Museum_of_Fine_Arts,_Boston
|
| |
|
|
|
|
|
|
|
|
|
Madonna and Child Enthroned with a Donor
Painting ID:: 671
Visit European Gallery
|
Madonna and Child Enthroned with a Donor
1470
National Gallery of Art, Washington DC
1470__
National_Gallery_of_Art,_Washington_DC
|
| |
|
|
|
|
|
|
|
|
|
St.James of Marche with Two Kneeling Donors
Painting ID:: 672
Visit European Gallery
|
St.James of Marche with Two Kneeling Donors
Musee du Louvre, Paris
Musee_du_Louvre,_Paris
|
| |
|
|
|
|
|
|
|
|
|
St.Roch
Painting ID:: 673
Visit European Gallery
|
St.Roch
|
| |
|
|
|
|
|
|
|
|
| Prev Artist Next Artist
|
|
|
Carlo Crivelli
|
|
1430-1495
Italian
Carlo Crivelli Locations
1495). He produced many large, multi-partite altarpieces in which his highly charged, emotional use of line, delight in detail, decoration and citric colours, often set against a gold ground, convey an intensity of expression unequalled elsewhere in Italy. His mastery of perspective was also used for dramatic impact. As he worked in isolation in the Marches, his style only had local influence. In the 19th century, however, he was one of the most collected of 15th-century Italian painters. |
|
Related Artists::.
| Johann Conrad Seekatz | Emma Sandys | WEENIX, Jan Baptist | |
|
