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Carl Spitzweg Ein Besuch oil painting


Ein Besuch
Painting ID::  73442
Carl Spitzweg
Ein Besuch
c. 1850 22,1 X 26,7 cm cjr

   
   
     

Carl Spitzweg Dog and Hare oil painting


Dog and Hare
Painting ID::  74047
Carl Spitzweg
Dog and Hare
Dog and Hare, Oil on canvas. cyf

   
   
     

Carl Spitzweg Werber in einer Schenke oil painting


Werber in einer Schenke
Painting ID::  75000
Carl Spitzweg
Werber in einer Schenke
Werber in einer Schenke. 1783 Maße: 80,4 x 108,2 cm Standort: Bayerische Staatsgemäldesammlungen Date 1783(1783) cyf

   
   
     

Carl Spitzweg Ein Besuch oil painting


Ein Besuch
Painting ID::  75135
Carl Spitzweg
Ein Besuch
Date Deutsch: um 1850 English: c. 1850 Medium Deutsch: Öl auf Karton Dimensions Deutsch: 22,1 X 26,7 cm cyf

   
   
     

Carl Spitzweg Der Geologe oil painting


Der Geologe
Painting ID::  79459
Carl Spitzweg
Der Geologe
ca. 1860(1860) Oil on paperboard mounted on canvas 44 x 34,5 cm cjr

   
   
     

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     Carl Spitzweg
     German Painter, 1808-1885 German painter. He trained (1825-8), at his father's insistence, as a pharmacist, by 1829 becoming manager of a pharmacy in the Straubing district of Munich. From 1830 to 1832 he made advanced studies in pharmacy, botany and chemistry at the University of Munich, passing his final examination with distinction. On receiving a large legacy in 1833, which made him financially independent, he decided to become a painter. He had drawn since the age of 15 and had frequented artistic circles since the late 1820s; but he had no professional training as a painter. He learnt much from contacts with young Munich landscape painters such as Eduard Schleich the elder and produced his first oil paintings in 1834. In 1835 he became a member of the Munich Kunstverein but left two years later due to disappointment over the reception of the first version of the Poor Poet (1837; Munich, Neue Pin.; second version 1839; Berlin, Neue N.G.), a scene of gently humorous pathos that has since become his most celebrated work. Spitzweg's decision to leave the Kunstverein, however, was also encouraged by his first successful attempts to sell his paintings independently. In 1839 he travelled to Dalmatia, where he made sketches that he used for many later works on Turkish themes (e.g. the Turkish Coffee House, c. 1860; Munich, Schack-Gal.). From the 1840s he travelled regularly, usually with his close friend, the painter Schleich, both within Bavaria and to Austria and Switzerland and also to the Adriatic coast, especially to Trieste.

     Related Artists::.
     | Mount, Evelina | Giuseppe Dupra | Theodore Chasseriau |


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