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Canaletto Rio dei Mendicanti: Looking South oil painting


Rio dei Mendicanti: Looking South
Painting ID::  5572
Canaletto
Rio dei Mendicanti: Looking South
c. 1725 Oil on canvas, 69,5 x 97,5 cm Gemäldegalerie, Dresden

   
   
     

Canaletto Grand Canal: Looking North-East toward the Rialto Bridge ffg oil painting


Grand Canal: Looking North-East toward the Rialto Bridge ffg
Painting ID::  5573
Canaletto
Grand Canal: Looking North-East toward the Rialto Bridge ffg
c. 1725 Oil on canvas, 146 x 234 cm Gemäldegalerie, Dresden

   
   
     

Canaletto Grand Canal: Looking North-East toward the Rialto Bridge (detail) d oil painting


Grand Canal: Looking North-East toward the Rialto Bridge (detail) d
Painting ID::  5574
Canaletto
Grand Canal: Looking North-East toward the Rialto Bridge (detail) d
c. 1725 Oil on canvas Gemäldegalerie, Dresden

   
   
     

Canaletto Entrance to the Grand Canal: Looking East oil painting


Entrance to the Grand Canal: Looking East
Painting ID::  5575
Canaletto
Entrance to the Grand Canal: Looking East
c. 1725 Oil on canvas, 65 x 98 cm Gemäldegalerie, Dresden

   
   
     

Canaletto Santi Giovanni e Paolo and the Scuola di San Marco fdg oil painting


Santi Giovanni e Paolo and the Scuola di San Marco fdg
Painting ID::  5576
Canaletto
Santi Giovanni e Paolo and the Scuola di San Marco fdg
c. 1725 Oil on canvas, 125 x 165 cm Gemäldegalerie, Dresden

   
   
     

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     Canaletto
     Italian Rococo Era Painter, 1697-1768 Italian painter, etcher and draughtsman. He was the most distinguished Italian view painter of the 18th century. Apart from ten years spent in England he lived in Venice, and his fame rests above all on his views (vedute) of that city; some of these are purely topographical, others include festivals or ceremonial events. He also painted imaginary views (capriccios), although the demarcation between the real and the invented is never quite clearcut: his imaginary views often include realistically depicted elements, though in unexpected surroundings, and in a sense even his Venetian vedute are imaginary. He never merely re-created reality. He was highly successful with the English, helped in this by the British connoisseur JOSEPH SMITH, whose own large collection of Canaletto works was sold to King George III in 1762. The British Royal Collection has the largest group of his paintings and drawings.

     Related Artists::.
     | Andien de Clermont | WINTERHALTER, Josef the Younger | Joseph Severn |


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