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Canaletto The Molo and the Riva degli Schiavoni from the Bacino di San Marco oil painting


The Molo and the Riva degli Schiavoni from the Bacino di San Marco
Painting ID::  5628
Canaletto
The Molo and the Riva degli Schiavoni from the Bacino di San Marco
1740 Oil on canvas, 46,5 x 63 cm Toledo Museum of Art, Toledo

   
   
     

Canaletto The Bucintore Returning to the Molo on Ascension Day oil painting


The Bucintore Returning to the Molo on Ascension Day
Painting ID::  5629
Canaletto
The Bucintore Returning to the Molo on Ascension Day
c. 1740 Oil on canvas, 187 x 259 cm Pushkin Museum, Moscow

   
   
     

Canaletto The Molo with the Library and the Entrance to the Grand Canal f oil painting


The Molo with the Library and the Entrance to the Grand Canal f
Painting ID::  5630
Canaletto
The Molo with the Library and the Entrance to the Grand Canal f
c. 1740 Oil on canvas, 110,5 x 185,5 cm Private collection

   
   
     

Canaletto Rome: The Arch of Constantine ffg oil painting


Rome: The Arch of Constantine ffg
Painting ID::  5631
Canaletto
Rome: The Arch of Constantine ffg
1742 Oil on canvas, 181,5 x 103 cm Royal Collection, Windsor

   
   
     

Canaletto Rome: The Arch of Constantine (detail) fd oil painting


Rome: The Arch of Constantine (detail) fd
Painting ID::  5632
Canaletto
Rome: The Arch of Constantine (detail) fd
1742 Oil on canvas Royal Collection, Windsor

   
   
     

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     Canaletto
     Italian Rococo Era Painter, 1697-1768 Italian painter, etcher and draughtsman. He was the most distinguished Italian view painter of the 18th century. Apart from ten years spent in England he lived in Venice, and his fame rests above all on his views (vedute) of that city; some of these are purely topographical, others include festivals or ceremonial events. He also painted imaginary views (capriccios), although the demarcation between the real and the invented is never quite clearcut: his imaginary views often include realistically depicted elements, though in unexpected surroundings, and in a sense even his Venetian vedute are imaginary. He never merely re-created reality. He was highly successful with the English, helped in this by the British connoisseur JOSEPH SMITH, whose own large collection of Canaletto works was sold to King George III in 1762. The British Royal Collection has the largest group of his paintings and drawings.

     Related Artists::.
     | George Spencer | Master of the Life of Saint John the Baptist | Charles William Mitchell |


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