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The Hermitage at Pontoise
Painting ID:: 4114
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The Hermitage at Pontoise
1867 59 5/8 x 79 in (151.4 x 200.6 cm)
Solomon R Guggenheim Museum, New York
1867_59_5/8_x_79_in_(151.4_x_200.6_cm)__
________Solomon_R_Guggenheim_Museum,_New_York
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The Hermitage at Pontoise
Painting ID:: 4281
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The Hermitage at Pontoise
1867 59 5/8 x 79 in (151.4 x 200.6 cm)
Solomon R Guggenheim Museum, New York
1867_59_5/8_x_79_in_(151.4_x_200.6_cm)__
________Solomon_R_Guggenheim_Museum,_New_York
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Landscape at Chaponval
Painting ID:: 4284
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Landscape at Chaponval
1880 Musee d'Orlay, Paris
1880_Musee_d'Orlay,_Paris
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Self Portrait
Painting ID:: 4286
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Self Portrait
1873 Musee d'Orlay, Paris
1873_Musee_d'Orlay,_Paris
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Countryside and Eragny Church and Farm
Painting ID:: 4289
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Countryside and Eragny Church and Farm
1895 Musee d'Orlay, Paris
1895_Musee_d'Orlay,_Paris
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Camille Pissaro
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1830-1903
French
Camille Pissarro Locations
Painter and printmaker. He was the only painter to exhibit in all eight of the Impressionist exhibitions held between 1874 and 1886, and he is often regarded as the father of the movement. He was by no means narrow in outlook, however, and throughout his life remained as radical in artistic matters as he was in politics. Thadee Natanson wrote in 1948: Nothing of novelty or of excellence appeared that Pissarro had not been among the first, if not the very first, to discern and to defend. The significance of Pissarro work is in the balance maintained between tradition and the avant-garde. Octave Mirbeau commented: M. Camille Pissarro has shown himself to be a revolutionary by renewing the art of painting in a purely working sense; at the same time he has remained a purely classical artist in his love for exalted generalizations, his passion for nature and his respect for worthwhile traditions.
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Related Artists::.
| Perry, Lilla Calbot | MASTER of Heiligenkreuz | ALTDORFER, Albrecht | |
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