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Annunciation with St Emidius fg
Painting ID:: 6324
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Annunciation with St Emidius fg
1486
Oil on wood transferred to canvas, 207 x 146,5 cm
National Gallery, London
1486
Oil_on_wood_transferred_to_canvas,_207_x_146,5_cm
National_Gallery,_London
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Coronation of the Virgin dgfd
Painting ID:: 6325
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Coronation of the Virgin dgfd
1493
Panel, 225 x 255 cm
Pinacoteca di Brera, Milan
1493
Panel,_225_x_255_cm
Pinacoteca_di_Brera,_Milan
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Lamentation over the Dead Christ fdg
Painting ID:: 6326
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Lamentation over the Dead Christ fdg
1485
Tempera on panel
Museum of Fine Arts, Boston
1485
Tempera_on_panel
Museum_of_Fine_Arts,_Boston
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The Madonna of the Taper dfg
Painting ID:: 6327
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The Madonna of the Taper dfg
Panel, 218 x 75 cm
Pinacoteca di Brera, Milan
Panel,_218_x_75_cm
Pinacoteca_di_Brera,_Milan
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Madonna and Child; St Francis of Assisi dfg
Painting ID:: 6328
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Madonna and Child; St Francis of Assisi dfg
1471-72
Wood, 183 x 59,5 cm (each)
Mus??es Royaux des Beaux-Arts, Brussels
1471-72
Wood,_183_x_59,5_cm_(each)
Mus??es_Royaux_des_Beaux-Arts,_Brussels
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CRIVELLI, Carlo
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Italian Early Renaissance Painter, ca.1430-1495
He produced many large, multi-partite altarpieces in which his highly charged, emotional use of line, delight in detail, decoration and citric colours, often set against a gold ground, convey an intensity of expression unequalled elsewhere in Italy. His mastery of perspective was also used for dramatic impact. As he worked in isolation in the Marches, his style only had local influence. In the 19th century, |
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Related Artists::.
| Berswordt Altar | Jose Ferraz de Almeida Junior | William Michael Harnett | |
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