|
|
|
|
|
The Annunciation dfg
Painting ID:: 6027
Visit European Gallery
|
The Annunciation dfg
1495
Tempera and oil on canvas transferred from wood, 136,5 x 107 cm
The Hermitage, St. Petersburg
1495
Tempera_and_oil_on_canvas_transferred_from_wood,_136,5_x_107_cm
The_Hermitage,_St._Petersburg
|
| |
|
|
|
|
|
|
|
|
|
The Annunciation (detail) dsg
Painting ID:: 6028
Visit European Gallery
|
The Annunciation (detail) dsg
1495
Tempera and oil on canvas transferred from wood
The Hermitage, St. Petersburg
1495
Tempera_and_oil_on_canvas_transferred_from_wood
The_Hermitage,_St._Petersburg
|
| |
|
|
|
|
|
|
|
|
|
St. Helena sdgdf
Painting ID:: 6029
Visit European Gallery
|
St. Helena sdgdf
1495
Panel
National Gallery of Art, Washington
1495
Panel
National_Gallery_of_Art,_Washington
|
| |
|
|
|
|
|
|
|
|
|
Madonna of the Orange Tree dfg
Painting ID:: 6030
Visit European Gallery
|
Madonna of the Orange Tree dfg
c. 1495
Tempera and oil on panel, 12 x 139 cm
Gallerie dell'Accademia, Venice
c._1495
Tempera_and_oil_on_panel,_12_x_139_cm
Gallerie_dell'Accademia,_Venice
|
| |
|
|
|
|
|
|
|
|
|
Madonna Enthroned with the Child dfg
Painting ID:: 6031
Visit European Gallery
|
Madonna Enthroned with the Child dfg
Panel
Galleria Nazionale, Parma
Panel
Galleria_Nazionale,_Parma
|
| |
|
|
|
|
|
|
|
|
| Prev Artist Next Artist
|
|
|
CIMA da Conegliano
|
|
Italian Painter, ca.1459-1517
Italian painter. He belonged to the generation between Giovanni Bellini and Giorgione and was one of the leading painters of early Renaissance Venice. His major works, several of which are signed, are almost all church altarpieces, usually depicting the Virgin and Child enthroned with saints; he also produced a large number of smaller half-length Madonnas. His autograph paintings are executed with great sensitivity and consummate craftsmanship. Fundamental to his artistic formation was the style that Bellini had evolved by the 1470s and 1480s; other important influences were Antonello da Messina and Alvise Vivarini. Although Cima was always capable of modest innovation, his style did not undergo any radical alteration during a career of some 30 years, and his response to the growing taste for Giorgionesque works from the early 16th century remained superficial. He seems to have maintained a sizeable workshop, |
|
Related Artists::.
| Raymond D Yelland | Cornelis Saftleven | Antoine Wiertz | |
|
