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CAVALLINO, Bernardo The Ecstasy of St Cecilia df oil painting


The Ecstasy of St Cecilia df
Painting ID::  5977
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The Ecstasy of St Cecilia df
1645 Oil on canvas Museo Nazionale di Capodimonte, Naples
1645 Oil_on_canvas Museo_Nazionale_di_Capodimonte,_Naples
   
   
     

CAVALLINO, Bernardo St Peter and Cornelius the Centurion dfg oil painting


St Peter and Cornelius the Centurion dfg
Painting ID::  5978
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St Peter and Cornelius the Centurion dfg
1640s Oil on canvas, 102 x 127 cm Galleria Nazionale d'Arte Antica, Rome
1640s Oil_on_canvas,_102_x_127_cm Galleria_Nazionale_d'Arte_Antica,_Rome
   
   
     

CAVALLINO, Bernardo Clavichord Player df oil painting


Clavichord Player df
Painting ID::  5979
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Clavichord Player df
Oil on canvas Mus??e des Beaux-Arts, Lyon
Oil_on_canvas Mus??e_des_Beaux-Arts,_Lyon
   
   
     

CAVALLINO, Bernardo Esther and Ahaseurus df oil painting


Esther and Ahaseurus df
Painting ID::  5980
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Esther and Ahaseurus df
1645-50 Oil on canvas, 75 x 102 cm Galleria degli Uffizi, Florence
1645-50 Oil_on_canvas,_75_x_102_cm Galleria_degli_Uffizi,_Florence
   
   
     

CAVALLINO, Bernardo The Blessed Virgin fdg oil painting


The Blessed Virgin fdg
Painting ID::  5981
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The Blessed Virgin fdg
1650 Oil on canvas, 167 x 118 cm Pinacoteca di Brera, Milan
1650 Oil_on_canvas,_167_x_118_cm Pinacoteca_di_Brera,_Milan
   
   
     

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     CAVALLINO, Bernardo
     Italian Baroque Era Painter, ca.1616-1656 Italian painter and draughtsman. He was the most individual and most poetic painter active in Naples during the first half of the 17th century. He painted mainly small cabinet pictures, on canvas or on copper, for dealers and for highly cultivated private patrons; he had few public commissions and apparently never painted any large-scale decorations for private or ecclesiastical patrons. His subject-matter is largely derived from the Old and New Testaments, the Apocrypha, Tasso and from Roman history and mythology. Documentary evidence for his life and work is almost non-existent, and he remains enigmatic and elusive as a historical figure. Yet as a painter he is strikingly distinctive, uniting a refinement and virtuosity of brushwork with an intensely naturalistic observation of surfaces, and complex and dramatic compositions with an extraordinary brilliance of palette. Only eight pictures are signed, initialled or inscribed with Cavallino's name. No works are documented and only five may be tentatively identified with pictures in mid-18th-century Neapolitan collections described by Bernardo de Dominici.

     Related Artists::.
     | MIEREVELD, Michiel Jansz. van | Henri-Lucien Doucet | Alexander Pope |


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