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Baron Jean-Baptiste Regnault The Education of Achilles by the Centaur Chiron (mk05) oil painting


The Education of Achilles by the Centaur Chiron (mk05)
Painting ID::  20902
Baron Jean-Baptiste Regnault
The Education of Achilles by the Centaur Chiron (mk05)
1782 Canvas 103 x 84 1/2''(261 x 215 cm)Reception picture at the Academie Royale de Peinture et de Sculpture in 1783 Salons of 1783 and 1791;collection of the Academie Royale.INV 7282(MN)

   
   
     

Baron Jean-Baptiste Regnault The Threrr Graces (mk05) oil painting


The Threrr Graces (mk05)
Painting ID::  20903
Baron Jean-Baptiste Regnault
The Threrr Graces (mk05)
1793 Canvas 80 1/4 x 60 1/2''(204 x 154 cm)Bequest of Dr.Louis La Caze 1869 M I 1101(MN)

   
   
     

Baron Jean-Baptiste Regnault The Origin of Painting: Dibutades Tracing the Portrait of a Shepherd oil painting


The Origin of Painting: Dibutades Tracing the Portrait of a Shepherd
Painting ID::  44030
Baron Jean-Baptiste Regnault
The Origin of Painting: Dibutades Tracing the Portrait of a Shepherd
1785 Oil on canvas, 120 x 140 cm

   
   
     

Baron Jean-Baptiste Regnault The Genius of France between Liberty and Death oil painting


The Genius of France between Liberty and Death
Painting ID::  44050
Baron Jean-Baptiste Regnault
The Genius of France between Liberty and Death
1795 Oil on canvas, 60 x 49 cm

   
   
     

Baron Jean-Baptiste Regnault The Three Graces oil painting


The Three Graces
Painting ID::  71806
Baron Jean-Baptiste Regnault
The Three Graces
Les Trois Grâces (The Three Graces), after an antique group now exhibited at the Library of the Duomo in Siena. Oil on canvas, 1797-1798.

   
   
     

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     Baron Jean-Baptiste Regnault
     Paris 1754-1829 French painter. His first teacher was the history painter Jean Bardin, who took him to Rome in 1768. Back in Paris in 1772, he transferred to the studio of Nicolas-Bernard Lepicie. In 1776 he won the Prix de Rome with Alexander and Diogenes (Paris, Ecole N. Sup. B.-A.) and returned to Rome, where he was to spend the next four years at the Academie de France in the company of Jacques-Louis David and Jean-Francois-Pierre Peyron. While witnessing at first hand Peyron's development of a manner indebted to Poussin and David's conversion to Caravaggesque realism, Regnault inclined first towards a Late Baroque mode in a Baptism of Christ (untraced; recorded in two sketches and an etching), then, in Perseus Washing his Hands (1779; Louisville, KY, Speed A. Mus.), to the static Neo-classicism of Anton Raphael Mengs.

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     | Clifford Warren Ashley | Luca di Tomme | Constant Wauters |


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