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The Education of Achilles by the Centaur Chiron (mk05)
Painting ID:: 20902
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The Education of Achilles by the Centaur Chiron (mk05)
1782
Canvas 103 x 84 1/2''(261 x 215 cm)Reception picture at the Academie Royale de Peinture et de Sculpture in 1783 Salons of 1783 and 1791;collection of the Academie Royale.INV 7282(MN)
1782
Canvas_103_x_84_1/2''(261_x_215_cm)Reception_picture_at_the_Academie_Royale_de_Peinture_et_de_Sculpture_in_1783_Salons_of_1783_and_1791;collection_of_the_Academie_Royale.INV_7282(MN)
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The Threrr Graces (mk05)
Painting ID:: 20903
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The Threrr Graces (mk05)
1793
Canvas 80 1/4 x 60 1/2''(204 x 154 cm)Bequest of Dr.Louis La Caze 1869 M I 1101(MN)
1793
Canvas_80_1/4_x_60_1/2''(204_x_154_cm)Bequest_of_Dr.Louis_La_Caze_1869_M_I_1101(MN)
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The Origin of Painting: Dibutades Tracing the Portrait of a Shepherd
Painting ID:: 44030
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The Origin of Painting: Dibutades Tracing the Portrait of a Shepherd
1785
Oil on canvas,
120 x 140 cm
1785_
Oil_on_canvas,_
120_x_140_cm
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The Genius of France between Liberty and Death
Painting ID:: 44050
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The Genius of France between Liberty and Death
1795
Oil on canvas,
60 x 49 cm
1795_
Oil_on_canvas,_
60_x_49_cm
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The Three Graces
Painting ID:: 71806
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The Three Graces
Les Trois Grâces (The Three Graces), after an antique group now exhibited at the Library of the Duomo in Siena. Oil on canvas, 1797-1798.
Les_Trois_Grâces_(The_Three_Graces),_after_an_antique_group_now_exhibited_at_the_Library_of_the_Duomo_in_Siena._Oil_on_canvas,_1797-1798.
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Baron Jean-Baptiste Regnault
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Paris 1754-1829
French painter. His first teacher was the history painter Jean Bardin, who took him to Rome in 1768. Back in Paris in 1772, he transferred to the studio of Nicolas-Bernard Lepicie. In 1776 he won the Prix de Rome with Alexander and Diogenes (Paris, Ecole N. Sup. B.-A.) and returned to Rome, where he was to spend the next four years at the Academie de France in the company of Jacques-Louis David and Jean-Francois-Pierre Peyron. While witnessing at first hand Peyron's development of a manner indebted to Poussin and David's conversion to Caravaggesque realism, Regnault inclined first towards a Late Baroque mode in a Baptism of Christ (untraced; recorded in two sketches and an etching), then, in Perseus Washing his Hands (1779; Louisville, KY, Speed A. Mus.), to the static Neo-classicism of Anton Raphael Mengs. |
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Related Artists::.
| Domenico di Pace Beccafumi | Joel Pettersson | Samuel Lovett Waldo | |
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