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BRAMANTE Moses saved from the waters, David Winckboons oil painting


Moses saved from the waters, David Winckboons
Painting ID::  83310
BRAMANTE
Moses saved from the waters, David Winckboons
Moses saved from the waters, David Winckboons, 1600-1602. Oil on wood. Bought in 1941. Accession number: 1654 cjr

   
   
     

BRAMANTE Ancient copy of a miniature oil painting


Ancient copy of a miniature
Painting ID::  83349
BRAMANTE
Ancient copy of a miniature
1820. Oil on canvas. cyf

   
   
     

BRAMANTE Execution of major en:Abraham DavelAbraham Davel oil painting


Execution of major en:Abraham DavelAbraham Davel
Painting ID::  83935
BRAMANTE
Execution of major en:Abraham DavelAbraham Davel
oil on canvas, 1850 cyf

   
   
     

BRAMANTE Christ and the adulterous woman oil painting


Christ and the adulterous woman
Painting ID::  85959
BRAMANTE
Christ and the adulterous woman
Christ and the adulterous woman, Anonymous from Venice (formerly attributed to El Greco), second half of the 16th century. Oil on Canvas. Bought in 1890. Accession number: 238 cjr

   
   
     

BRAMANTE Birds, French anonymous of the early 17th century oil painting


Birds, French anonymous of the early 17th century
Painting ID::  87216
BRAMANTE
Birds, French anonymous of the early 17th century
oil on wood, 1619 cjr

   
   
     

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     BRAMANTE
     Italian High Renaissance Architect and Painter, 1444-1514 In the first decade of the 16th century Donato Bramante was the chief architect in Rome, which had just replaced Florence as the artistic capital of Europe because the patronage of Pope Julius II (reigned 1503-1513) attracted all the leading Italian artists to that city. It is particularly the triumvirate of artists - Michelangelo the sculptor and painter, Raphael the painter, and Bramante the architect - who dominated this period, usually called the High Renaissance, and whose influence overwhelmed the following generations. Donato di Pascuccio d'Antonio, called Bramante, was born in 1444 at Monte Asdruvaldo near Urbino. Nothing is known of the first 30 years of his life. During that period, however, the court of Federigo da Montefeltro at Urbino was a flourishing humanistic and cultural center, attended by artists such as Piero della Francesca, Melozzo da Forll, and Luciano Laurana, who probably influenced the young Bramante. The first notice of Bramante dates from 1477, when he decorated the facade of the Palazzo del Podestaat Bergamo with a frescoed frieze of philosophers.

     Related Artists::.
     | GIAMPIETRINO | Master of Saint Giles | Heinrich Martin Krabbe |


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