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Allegory ghyj
Painting ID:: 5240
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Allegory ghyj
1558-60
Oil on canvas, 110 x 131 cm
The Hermitage, St. Petersburg
1558-60
Oil_on_canvas,_110_x_131_cm
The_Hermitage,_St._Petersburg
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Nude intp
Painting ID:: 5241
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Nude intp
Pencil and chalk on paper, 32 x 20 cm
Galleria degli Uffizi, Florence
Pencil_and_chalk_on_paper,_32_x_20_cm
Galleria_degli_Uffizi,_Florence
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The Presentation of the Ring fdhfd
Painting ID:: 5242
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The Presentation of the Ring fdhfd
1534
Oil on canvas, 370 x 301 cm
Gallerie dell'Accademia, Venice
1534
Oil_on_canvas,_370_x_301_cm
Gallerie_dell'Accademia,_Venice
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Venus and Mars with Cupid
Painting ID:: 5243
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Venus and Mars with Cupid
1559-60
Oil on canvas, 118 x 130,5 cm
Galleria Doria-Pamphili, Rome
1559-60
Oil_on_canvas,_118_x_130,5_cm
Galleria_Doria-Pamphili,_Rome
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The Venetian Lovers
Painting ID:: 5244
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The Venetian Lovers
Oil on canvas, 95 x 80 cm
Pinacoteca di Brera, Milan
Oil_on_canvas,_95_x_80_cm
Pinacoteca_di_Brera,_Milan
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BORDONE, Paris
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Italian High Renaissance Painter, 1500-1571
Bordone was born at Treviso, but had moved to Venice by late adolescence. He apprenticed briefly and unhappily (according to Vasari) with Titian. Vasari may have met the elder Bordone.
From the 1520s, we have works by Bordone including the Holy Family in Florence, Sacra Conversazione with Donor (Glasgow), and Holy Family with St. Catherine (Hermitage Museum). The St. Ambrose and a Donor (1523) is now in Brera. In 1525-6, Bordone painted an altarpiece for the church of S. Agostino in Crema, a Madonna with St. Christopher and St George (now in the Palazzo Tadini collection at Lovere). A second altarpiece, Pentecost, is now in Brera gallery.
In 1534-5, he painted his large-scale masterpiece for the Scuola di San Marco a canvas of the Fisherman delivering the Marriage Ring of Venice to the Doge (Accademia). However, when this latter painting is compared to the near-contemoporary, and structurally similar, Presentation of the Virgin, Bordone's limitations, his use of superior perspective, which creates dwarfed distant perspectives, and limited coloration relative to the brilliant tints of Titian.
Bordone is best at his smaller cabinet pieces, showing half-figures, semi-undressed men and women from mythology or religious stories in a muscular interaction despite the crowded space.
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Related Artists::.
| Fernand Leger | John Blake White | Nikolai Kuznetsov | |
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