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Still-Life with Dead Wild-Duck gfh
Painting ID:: 5210
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Still-Life with Dead Wild-Duck gfh
Oil on canvas, 71 x 87 cm
National Gallery, Prague
Oil_on_canvas,_71_x_87_cm
National_Gallery,_Prague
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Still-Life with Owl gfh
Painting ID:: 5211
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Still-Life with Owl gfh
Oil on canvas, 68 x 93 cm
Museum voor Schone Kunsten, Ghent
Oil_on_canvas,_68_x_93_cm
Museum_voor_Schone_Kunsten,_Ghent
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Large Vanitas Still-Life gdh
Painting ID:: 5212
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Large Vanitas Still-Life gdh
1663
Oil on canvas, 207 x 260 cm
Mus??e des Beaux-Arts, Lille
1663
Oil_on_canvas,_207_x_260_cm
Mus??e_des_Beaux-Arts,_Lille
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South America, large parrot
Painting ID:: 57295
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South America, large parrot
mk255 for in the years 1669-1671. 0.98 x 1.30 meters canvas. Paris, the Louvre
mk255_for_in_the_years_1669-1671._0.98_x_1.30_meters_canvas._Paris,_the_Louvre
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Large Vanitas
Painting ID:: 76041
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Large Vanitas
Date 1663(1663)
Medium Oil on canvas
Dimensions 207 x 260 cm
cyf
Date_1663(1663)
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Medium_Oil_on_canvas
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Dimensions_207_x_260_cm
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cyf
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BOEL, Pieter
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Flemish Baroque Era Painter, 1622-1674
Flemish painter, draughtsman and etcher. He came from an artistic family: his father Jan Boel (1592-1640), was an engraver, publisher and art dealer; his uncle Quirin Boel I was an engraver; and his brother Quirin Boel II (1620-40) was also a printmaker. Pieter was probably apprenticed in Antwerp to Jan Fyt, but may have studied previously with Frans Snyders. He then went to Italy, probably visiting Rome and Genoa, where he is supposed to have stayed with Cornelis de Wael. None of Boel's work from this period is known. In 1650 he became a master in the Antwerp Guild of St Luke (having given his first name as Jan, not Pieter). His marriage to Maria Blanckaert took place at about the same time. Boel dated only a few of his paintings, making it difficult to establish a chronology. He is best known for his hunting scenes, some of which clearly show his debt to Snyders, but the dominant influence on his work was that of Fyt, particularly evident in his emphatic brushwork. However, Boel was more restrained both in his treatment and in his handling of outline. He also borrowed the theme of open-air hunting still-lifes (e.g. Feathered Game with Three Dogs; Madrid, Prado) from Fyt, but he painted other subjects as well, such as the monumental Vanitas Still-life (e.g. 1633; Lille, Mus. B.-A.). |
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Related Artists::.
| Anastagio Fontebuoni | Heinrich Hellhoff | Albijn Van den Abeele | |
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