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Dam Square, Amsterdam
Painting ID:: 5152
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Dam Square, Amsterdam
Oil on oak, 41 x 55,5 cm
Gemäldegalerie, Dresden
Oil_on_oak,_41_x_55,5_cm
Gemäldegalerie,_Dresden
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The Interior of the Grote Kerk (St Bavo) at Haarlem
Painting ID:: 5153
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The Interior of the Grote Kerk (St Bavo) at Haarlem
1673
Oil on wood, 61 x 85 cm
National Gallery, London
1673
Oil_on_wood,_61_x_85_cm
National_Gallery,_London
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The Market Square at Haarlem with the St Bavo
Painting ID:: 5154
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The Market Square at Haarlem with the St Bavo
1696
Oil on canvas
Frans Halsmuseum, Haarlem
1696
Oil_on_canvas
Frans_Halsmuseum,_Haarlem
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Amsterdam, the Nieuwezijds near the Bloemmarkt
Painting ID:: 5155
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Amsterdam, the Nieuwezijds near the Bloemmarkt
1670-75
Oil on canvas, 45 x 61 cm
Historisch Museum, Amsterdam
1670-75
Oil_on_canvas,_45_x_61_cm
Historisch_Museum,_Amsterdam
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Amsterdam, the Nieuwezijds near the Bloemmarkt ffd
Painting ID:: 5156
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Amsterdam, the Nieuwezijds near the Bloemmarkt ffd
Graphite, partially strengthened with pen and ink
Koninklijk Oudheidkundig Genootschap, Amsterdam
Graphite,_partially_strengthened_with_pen_and_ink
Koninklijk_Oudheidkundig_Genootschap,_Amsterdam
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BERCKHEYDE, Gerrit Adriaensz.
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Dutch Baroque Era Painter, 1638-1698
Brother of Job Berckheyde. Gerrit specialized in a particular type of architectural subject, the TOWNSCAPE. His painted work shows a debt not only to Pieter Saenredam's conception of the building portrait but also to Saenredam's refined draughtsmanship and dispassionate attitude; these qualities mark Berckheyde as a classicist and akin to Vermeer. Berckheyde favoured views of monuments on large open squares, a choice that distinguishes him from the other great Dutch townscape painter, Jan van der Heyden, who preferred views along canals in which clarity was sacrificed for pictorial effect. |
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Related Artists::.
| Samuel Miller | Parentino, Bernardo | Joseph heard | |
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