|
|
|
|
|
The Scuola of San Marco gh
Painting ID:: 5115
Visit European Gallery
|
The Scuola of San Marco gh
1738-40
Oil on canvas, 42 x 69 cm
Gallerie dell'Accademia, Venice
1738-40
Oil_on_canvas,_42_x_69_cm
Gallerie_dell'Accademia,_Venice
|
| |
|
|
|
|
|
|
|
|
|
View of the Grand Canal at San Stae
Painting ID:: 5116
Visit European Gallery
|
View of the Grand Canal at San Stae
1738-40
Oil on canvas, 70,5 x 126,5 cm
Private collection
1738-40
Oil_on_canvas,_70,5_x_126,5_cm
Private_collection
|
| |
|
|
|
|
|
|
|
|
|
The Piazza della Signoria in Florence
Painting ID:: 5117
Visit European Gallery
|
The Piazza della Signoria in Florence
c. 1742
Oil on canvas, 61 x 90 cm
Museum of Fine Arts, Budapest
c._1742
Oil_on_canvas,_61_x_90_cm
Museum_of_Fine_Arts,_Budapest
|
| |
|
|
|
|
|
|
|
|
|
Capriccio with the Colosseum
Painting ID:: 5118
Visit European Gallery
|
Capriccio with the Colosseum
1743-44
Oil on canvas
Galleria Nazionale, Parma
1743-44
Oil_on_canvas
Galleria_Nazionale,_Parma
|
| |
|
|
|
|
|
|
|
|
|
Capriccio of the Capitol
Painting ID:: 5119
Visit European Gallery
|
Capriccio of the Capitol
1743-44
Oil on canvas
Galleria Nazionale, Parma
1743-44
Oil_on_canvas
Galleria_Nazionale,_Parma
|
| |
|
|
|
|
|
|
|
|
| Prev Artist Next Artist
|
|
|
BELLOTTO, Bernardo
|
|
Italian Rococo Era Painter, ca.1721-1780
Bernardo Bellotto (30 January 1720 ?C 17 October 1780) was an Italian urban landscape painter or vedutista, and printmaker in etching famous for his vedutes of European cities (Dresden, Vienna, Turin and Warsaw). He was the pupil and nephew of Canaletto and sometimes used the latter's illustrious name, signing himself as Bernardo Canaletto ?? fraudulently, according to some. Especially in Germany, paintings attributed to Canaletto may actually be by Bellotto rather than by his uncle; in Poland, they are by Bellotto, who is known there as "Canaletto".
Bellotto's style was characterized by elaborate representation of architectural and natural vistas, and by the specific quality of each place's lighting. It is plausible that Bellotto, and other Venetian masters of vedute, may have used the camera obscura in order to achieve superior precision of urban views. |
|
Related Artists::.
| Charles M.Relyea | Philippe Jacques | Edward Arthur Walton | |
|
