|
|
|
|
|
Self-Portrait with a Sunflower
Painting ID:: 26782
Visit European Gallery
|
Self-Portrait with a Sunflower
mk52
c.1633
Oil on canvas
60x73cm
The Duke of Westminster
mk52
c.1633
Oil_on_canvas
60x73cm
The_Duke_of_Westminster
|
| |
|
|
|
|
|
|
|
|
|
The Painter Marten Ryckaert
Painting ID:: 28141
Visit European Gallery
|
The Painter Marten Ryckaert
mk61
c.1629-1631
Oil on panel
148x113cm
mk61
c.1629-1631
Oil_on_panel
148x113cm
|
| |
|
|
|
|
|
|
|
|
|
The Rest on the Flight into Egypt
Painting ID:: 28850
Visit European Gallery
|
The Rest on the Flight into Egypt
mk65
Oil on canvas
52 3/4x73 3/4in
Pitti,Palatine Gallery
mk65
Oil_on_canvas
52_3/4x73_3/4in
Pitti,Palatine_Gallery
|
| |
|
|
|
|
|
|
|
|
|
Portrait of a Noblewoman
Painting ID:: 28851
Visit European Gallery
|
Portrait of a Noblewoman
mk65
Oil on paper glued on canvas
13 3/8x10 5/8in
mk65
Oil_on_paper_glued_on_canvas
13_3/8x10_5/8in
|
| |
|
|
|
|
|
|
|
|
|
Portrait of an English Gentleman
Painting ID:: 28852
Visit European Gallery
|
Portrait of an English Gentleman
mk65
Oil on canvas
53 1/8x37 3/8in
mk65
Oil_on_canvas
53_1/8x37_3/8in
|
| |
|
|
|
|
|
|
|
|
| Prev Artist Next Artist
|
|
|
Anthony Van Dyck
|
|
Dutch
1599-1641
Anthony Van Dyck Locations
Flemish painter and draughtsman, active also in Italy and England. He was the leading Flemish painter after Rubens in the first half of the 17th century and in the 18th century was often considered no less than his match. A number of van Dyck studies in oil of characterful heads were included in Rubens estate inventory in 1640, where they were distinguished neither in quality nor in purpose from those stocked by the older master. Although frustrated as a designer of tapestry and, with an almost solitary exception, as a deviser of palatial decoration, van Dyck succeeded brilliantly as an etcher. He was also skilled at organizing reproductive engravers in Antwerp to publish his works, in particular The Iconography (c. 1632-44), comprising scores of contemporary etched and engraved portraits, eventually numbering 100, by which election he revived the Renaissance tradition of promoting images of uomini illustri. His fame as a portrait painter in the cities of the southern Netherlands, as well as in London, Genoa, Rome and Palermo, has never been outshone; and from at least the early 18th century his full-length portraits were especially prized in Genoese, British and Flemish houses, where they were appreciated as much for their own sake as for the identities and families of the sitters. |
|
Related Artists::.
| Asta Norregaard | Jasper Cropsey | louvre | |
|
