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Madonna di Piazza
Painting ID:: 33235
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Madonna di Piazza
mk83
after 1475
Oil on wood
189x191cm
mk83
after_1475
Oil_on_wood
189x191cm
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The Baptism of Christ
Painting ID:: 33396
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The Baptism of Christ
mk86
c.1475
Tempera on wood
177x151cm
Florence,
Galleria degli Uffizi.
mk86
c.1475
Tempera_on_wood
177x151cm
Florence,
Galleria_degli_Uffizi.
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Reiterportrat of Niccolo there Tolentino
Painting ID:: 38495
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Reiterportrat of Niccolo there Tolentino
mk137
1456 Ubertragenes frescos 833x512cm II Duomo, Florence
mk137
1456_Ubertragenes_frescos_833x512cm_II_Duomo,_Florence
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Halfte second women head
Painting ID:: 38508
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Halfte second women head
mk137
the 15. century metal pencil feather and brush Weibhohungen 26.7x22.4cm muse you
Louvre, Paris
mk137
the_15._century_metal_pencil_feather_and_brush_Weibhohungen_26.7x22.4cm_muse_you
Louvre,_Paris
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The Baptism of Christ
Painting ID:: 40228
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The Baptism of Christ
mk156
c.1470
Oil on panel
177x151cm
mk156
c.1470
Oil_on_panel
177x151cm
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Andrea del Verrocchio
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Italian Early Renaissance Sculptor, ca.1435-1488
Florentine sculptor and painter, whose real name was Andrea di Michele di Francesco di Cioni. He was a leading figure in the early Renaissance, and his workshop was a center for the training of young artists in Florence. A virtuoso metalworker, Verrocchio was primarily concerned with the spirited rendering of movement and the elaboration of detail. Many of his paintings are lost. Of the remaining panels, his hand is evident in the Baptism of Christ (Uffizi), assisted by Leonardo da Vinci. In the Pistoia altarpiece he was aided by Lorenzo di Credi. Other attributions are Tobias and the Angel (National Gall., London), two paintings of the Madonna and Child (National Gall., London; Berlin), and a Crucifixion with Saints (Argiano). Most of Verrocchio's achievements in sculpture have survived. His earlier work includes the bold group Incredulity of St. Thomas (Orsanmichele). In 1472 he designed the tombs of Piero and Giovanni de' Medici (San Lorenzo). In the same period he created the graceful Boy with a Dolphin and a lithe portrayal of David (Bargello). He went to Venice (c.1480) to work on the equestrian monument of the condottiere Bartolomeo Colleoni. |
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Related Artists::.
| Victor Prouve | Richard Bergh | Orlandi, Deodato | |
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