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Andrea Appiani Recreation by our Gallery oil painting


Recreation by our Gallery
Painting ID::  32617
Andrea Appiani
Recreation by our Gallery
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Andrea Appiani General Desaix oil painting


General Desaix
Painting ID::  44236
Andrea Appiani
General Desaix
1800-01 Oil on canvas, 115 x 88 cm

   
   
     

Andrea Appiani Allegory on the Peace of Pressburg oil painting


Allegory on the Peace of Pressburg
Painting ID::  44247
Andrea Appiani
Allegory on the Peace of Pressburg
1808 Oil on wood, 38 x 46 cm

   
   
     

Andrea Appiani Madame Hamelin oil painting


Madame Hamelin
Painting ID::  79180
Andrea Appiani
Madame Hamelin
1798(1798) Oil on canvas Width: 0.55 m (0.6 yd). Height: 0.7 m (0.8 yd). cjr

   
   
     

Andrea Appiani Portrait de Nicolas, comte Frochot, ou, Portrait de Pierre Etienne, comte Mejan oil painting


Portrait de Nicolas, comte Frochot, ou, Portrait de Pierre Etienne, comte Mejan
Painting ID::  79828
Andrea Appiani
Portrait de Nicolas, comte Frochot, ou, Portrait de Pierre Etienne, comte Mejan
1806(1806) Oil on canvas 99.5 x 74 cm (39.2 x 29.1 in) cjr

   
   
     

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     Andrea Appiani
     Italian Neoclassical Painter, 1754-1817 was an Italian neoclassical painter. He was born at Milan. He had been intended to follow his father's career in medicine but instead entered the private academy of the painter Carlo Maria Giudici (1723?C1804). He received instruction in drawing, copying mainly from sculpture and prints. He then joined the class of the fresco painter Antonio de' Giorgi, which was held at the Ambrosiana picture gallery in Milan. He also frequented the studio of Martin Knoller, where he deepened his knowledge of painting in oils; and he studied anatomy at the Ospedale Maggiore in Milan with the sculptor Gaetano Monti. His interest in aesthetic issues was stimulated by the classical poet Giuseppe Parini, whom he drew in two fine pencil portraits. In 1776 he entered the Accademia di Belle Arti di Brera to follow the painting courses of Giuliano Traballesi, from whom he received a mastery of the fresco technique. His best pieces are in the church of San Maria presso San Celso and the royal palace at Milan, almost rival those of his master. He was made pensioned artist to the Kingdom of Italy by Napoleon, but lost his allowance after the events of 1814 and fell into poverty. During his stint as court painter he rendered portraits of Napoleon and the chief personages of his regime.

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     | Jose del Castillo | JACOPO del SELLAIO | Alfred Sisley |


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