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St Cassiano
Painting ID:: 80481
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St Cassiano
Date 1st half of 16th century
Medium panel
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Date_1st_half_of_16th_century
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Medium_panel
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Portrait of Tommaso Raimondi
Painting ID:: 81488
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Portrait of Tommaso Raimondi
. 1500(1500)
Medium Oil on panel
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._1500(1500)
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Medium_Oil_on_panel
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St Cassiano
Painting ID:: 84737
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St Cassiano
first half of 16th century
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first_half_of_16th_century
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The Virgin and Child between Saint Helena and Saint Francis
Painting ID:: 87179
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The Virgin and Child between Saint Helena and Saint Francis
Date ca. 1520(1520)
Medium Oil on panel
Dimensions 85.5 x 71.1 cm (33.7 x 28 in)
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Date_ca._1520(1520)
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Medium_Oil_on_panel
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Dimensions_85.5__x__71.1_cm_(33.7__x__28_in)
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The Virgin and Child between Saint Helena and Saint Francis
Painting ID:: 91954
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The Virgin and Child between Saint Helena and Saint Francis
1520(1520)
Medium oil on panel
Dimensions 85.5 ?? 71.1 cm (33.7 ?? 28 in)
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1520(1520)
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Medium_oil_on_panel
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Dimensions_85.5_??_71.1_cm_(33.7_??_28_in)
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Amico Aspertini
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(c. 1474 - 1552) is an Italian Renaissance painter whose complex, eccentric, and eclectic style anticipates Mannerism. He is considered among the first of the Bolognese School of painting.
He was born in Bologna to a family of painters (Guido Aspertini and Giovanni Antonio Aspertini, his father), and studied under masters such as Lorenzo Costa and Francesco Francia. He is briefly documented in Rome between 1500 - 1503, returning to Bologna and painting in a style influenced by Pinturicchio. In Bologna in 1504, he joined Francia and Costa in painting frescoes for the newly restored Oratory of Santa Cecilia in San Giacomo Maggiore, a work commissioned by Giovanni II Bentivoglio.
In 1507-09, he painted a fresco cycle in San Frediano in Lucca. Asperini painted in 1508-1509 the splendid frescoes in the Chapel of the Cross in the Basilica di San Frediano in Lucca. Aspertini was also one of two artists chosen to decorate a triumphal arch for the entry into Bologna of Pope Clement VII and Emperor Charles V in 1529.
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Related Artists::.
| Georg Saal | emile-Rene Menard | Pehr Hillestrom | |
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