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Alfred Sisley Bridge at Villeneuve-la-Garenne oil painting


Bridge at Villeneuve-la-Garenne
Painting ID::  27220
Alfred Sisley
Bridge at Villeneuve-la-Garenne
mk55 1872 Oil on canvas 49.5x65.4cm Metropolitan Museum of Art,New York

   
   
     

Alfred Sisley Sentier de la Mi-cote,Louveciennes oil painting


Sentier de la Mi-cote,Louveciennes
Painting ID::  27223
Alfred Sisley
Sentier de la Mi-cote,Louveciennes
mk55 1873 Oil on canvas 38x46.5cm Musee d Orsay,Paris

   
   
     

Alfred Sisley Rue de Princesse,Louveciennes oil painting


Rue de Princesse,Louveciennes
Painting ID::  27224
Alfred Sisley
Rue de Princesse,Louveciennes
mk55 1873 Oil on canvas 55.9x47cm

   
   
     

Alfred Sisley Chemin de la Machine,Louveciennes oil painting


Chemin de la Machine,Louveciennes
Painting ID::  27227
Alfred Sisley
Chemin de la Machine,Louveciennes
mk55 1873 Oil on canvas 54.5x75cm Musee d Orsay,Paris

   
   
     

Alfred Sisley Snow on the Road,Louveciennes oil painting


Snow on the Road,Louveciennes
Painting ID::  27228
Alfred Sisley
Snow on the Road,Louveciennes
mk55 1874 Oil on canvas 38x56cm

   
   
     

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     Alfred Sisley
     French 1839-1899 Alfred Sisley Galleries Alfred Sisley (October 30, 1839 ?C January 29, 1899) was an English Impressionist landscape painter who was born and spent most of his life in France. Sisley is recognized as perhaps the most consistent of the Impressionists, never deviating into figure painting or finding that the movement did not fulfill his artistic needs. Sisley was born in Paris to affluent English parents; William Sisley was in the silk business, and his mother Felicia Sell was a cultivated music connoisseur. At the age of 18, Sisley was sent to London to study for a career in business, but he abandoned it after four years and returned to Paris. Beginning in 1862 he studied at the atelier of Swiss artist Marc-Charles-Gabriel Gleyre, where he became acquainted with Fr??d??ric Bazille, Claude Monet, and Pierre-Auguste Renoir. Together they would paint landscapes en plein air (in the open air) in order to realistically capture the transient effects of sunlight. This approach, innovative at the time, resulted in paintings more colorful and more broadly painted than the public was accustomed to seeing. Consequently, Sisley and his friends initially had few opportunities to exhibit or sell their work. Unlike some of his fellow students who suffered financial hardships, Sisley received an allowance from his father??until 1870, after which time he became increasingly poor. Sisley's student works are lost. His earliest known work, Lane near a Small Town is believed to have been painted around 1864. His first landscape paintings are sombre, coloured with dark browns, greens, and pale blues. They were often executed at Marly and Saint-Cloud.

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