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Alexander Adriaenssen Still Life with Fish,Oysters,and a Cat oil painting


Still Life with Fish,Oysters,and a Cat
Painting ID::  28096
Alexander Adriaenssen
Still Life with Fish,Oysters,and a Cat
mk61 Oil on panel 60x91cm

   
   
     

Alexander Adriaenssen Fish and Dead Game oil painting


Fish and Dead Game
Painting ID::  75659
Alexander Adriaenssen
Fish and Dead Game
1643(1643) Oil on canvas 87 cm (34.3 in). Height: 58 cm (22.8 in). cjr

   
   
     

Alexander Adriaenssen with Oysters oil painting


with Oysters
Painting ID::  75898
Alexander Adriaenssen
with Oysters
Date 1630s Medium Oil on oak panel Dimensions Width: 36 cm (14.2 in). Height: 44 cm (17.3 in). cyf

   
   
     

Alexander Adriaenssen Still-Life with Fish oil painting


Still-Life with Fish
Painting ID::  76329
Alexander Adriaenssen
Still-Life with Fish
Date 1st half of 17th century Medium Oil on oak panel cyf

   
   
     

Alexander Adriaenssen Fish and Dead Game oil painting


Fish and Dead Game
Painting ID::  77466
Alexander Adriaenssen
Fish and Dead Game
1643(1643) Medium Oil on canvas Dimensions Width: 87 cm (34.3 in). Height: 58 cm (22.8 in). cyf

   
   
     

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     Alexander Adriaenssen
     Flemish Baroque Era Painter, 1587-1661 Flemish painter. He was the son of the composer Emanuel Adriaenssen and brother to the painters Vincent Adriaenssen (1595-1675) and Niclaes Adriaenssen (1598-1648/9). In 1597 he was apprenticed to Artus van Laeck (d 1616) and in 1610 became a master in the painters' guild. In 1632 he took on Philips Milcx as apprentice, and in 1635 he painted the coats of arms of the 17 provinces on the triumphal arches in honour of the new governor. Adriaenssen's many signed and often dated oil paintings on wood and canvas are all still-lifes, mainly of food on tables with copper- and tinware, glass and pottery (e.g. Still-life with Fish, 1660; Amsterdam, Rijksmus.). There are four paintings of vases of flowers, but vases of flowers, as well as single flowers on the table, also appear in other still-life combinations. Only two canvases are known in which he worked with figure painters: a garland of flowers around a painting of the Holy Family (Ghent, Paul Boterdaele priv. col.) by Simon de Vos and a porcelain bowl of fruit beside a Virgin and Child (ex-Gal. 'Den Tijd', Antwerp, 1982) attributed to a follower of Rubens. His compositions are graceful and balanced but somewhat stereotyped, and they are bathed in a soft chiaroscuro.

     Related Artists::.
     | TASSEL, Jean | Thomas Pakenham | Rudolf von Alt |


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