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Albrecht Durer Self-Portrait with Gloves (nn03) oil painting


Self-Portrait with Gloves (nn03)
Painting ID::  23285
Albrecht Durer
Self-Portrait with Gloves (nn03)
1498 Oil on panel 52 x 41 cm 20 1/2 x 16 1/8 in Museo del Prado Madrid

   
   
     

Albrecht Durer Hieronymus Holzschuher (mk45) oil painting


Hieronymus Holzschuher (mk45)
Painting ID::  25870
Albrecht Durer
Hieronymus Holzschuher (mk45)
1526 Oil on panel. 48x26cm Berlin,Staatliche Museen zu Beelin-Prubischer Kulturbesitz,Gemaldegalerie

   
   
     

Albrecht Durer Self-Portrait (mk45) oil painting


Self-Portrait (mk45)
Painting ID::  25911
Albrecht Durer
Self-Portrait (mk45)
1498 Oil on panel 52x41cm Madrid,Museo Nacional del Prado

   
   
     

Albrecht Durer Melancholia I (MK45) oil painting


Melancholia I (MK45)
Painting ID::  25938
Albrecht Durer
Melancholia I (MK45)
1514 Copperplate engraving 23.9X16.8cm Berlin,Staatliche Museen zu Berlin-Preubischer Kulturbesitz,Kupferstichkabinett

   
   
     

Albrecht Durer Self-Portrait (mk45) oil painting


Self-Portrait (mk45)
Painting ID::  25967
Albrecht Durer
Self-Portrait (mk45)
1493 Parchment on panel 56.5x44.5cm Paris,Musee du Louvre

   
   
     

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     Albrecht Durer
     b.May 21, 1471, Imperial Free City of Nernberg [Germany] d.April 6, 1528, Nernberg Albrecht Durer (May 21, 1471 ?C April 6, 1528) was a German painter, printmaker and theorist from Nuremberg. His still-famous works include the Apocalypse woodcuts, Knight, Death, and the Devil (1513), Saint Jerome in his Study (1514) and Melencolia I (1514), which has been the subject of extensive analysis and interpretation. His watercolours mark him as one of the first European landscape artists, while his ambitious woodcuts revolutionized the potential of that medium. D??rer introduction of classical motifs into Northern art, through his knowledge of Italian artists and German humanists, have secured his reputation as one of the most important figures of the Northern Renaissance. This is reinforced by his theoretical treatise which involve principles of mathematics, perspective and ideal proportions. His prints established his reputation across Europe when he was still in his twenties, and he has been conventionally regarded as the greatest artist of the Renaissance in Northern Europe ever since.

     Related Artists::.
     | Jean-Baptiste Monnoyer | Henry Leonidas Rolfe | Theodore R. Davis |


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