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Albrecht Durer Portrait of a Young Venetian Woman (mk08) oil painting


Portrait of a Young Venetian Woman (mk08)
Painting ID::  21355
Albrecht Durer
Portrait of a Young Venetian Woman (mk08)
1505 Oil on wood, 35x26cm Vienna,Kunsthistorisches Museum

   
   
     

Albrecht Durer Four Apostles (mk08) oil painting


Four Apostles (mk08)
Painting ID::  21358
Albrecht Durer
Four Apostles (mk08)
1526 Oil on wood Munich,Bayerische Staats-gemaldesmmlungen,Alte Pinakothek

   
   
     

Albrecht Durer The Nativity (mk08) oil painting


The Nativity (mk08)
Painting ID::  21359
Albrecht Durer
The Nativity (mk08)
c.1502-1504 Tempera on wood 155x126cm Munich,Bayerische-Staatsgemalde-sammlungen,Alte Pinakothek

   
   
     

Albrecht Durer The Adoration of the Trinity (mk08) oil painting


The Adoration of the Trinity (mk08)
Painting ID::  21360
Albrecht Durer
The Adoration of the Trinity (mk08)
1511 Oil tempera on wood 135x123cm Vienna,Kunsthistorisches Museum

   
   
     

Albrecht Durer Self-Portrait (mk10) oil painting


Self-Portrait (mk10)
Painting ID::  21821
Albrecht Durer
Self-Portrait (mk10)
1493,Oil on parchment Mounted on canvas 56 x 44 cm Paris,Musee du Louvre

   
   
     

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     Albrecht Durer
     b.May 21, 1471, Imperial Free City of Nernberg [Germany] d.April 6, 1528, Nernberg Albrecht Durer (May 21, 1471 ?C April 6, 1528) was a German painter, printmaker and theorist from Nuremberg. His still-famous works include the Apocalypse woodcuts, Knight, Death, and the Devil (1513), Saint Jerome in his Study (1514) and Melencolia I (1514), which has been the subject of extensive analysis and interpretation. His watercolours mark him as one of the first European landscape artists, while his ambitious woodcuts revolutionized the potential of that medium. D??rer introduction of classical motifs into Northern art, through his knowledge of Italian artists and German humanists, have secured his reputation as one of the most important figures of the Northern Renaissance. This is reinforced by his theoretical treatise which involve principles of mathematics, perspective and ideal proportions. His prints established his reputation across Europe when he was still in his twenties, and he has been conventionally regarded as the greatest artist of the Renaissance in Northern Europe ever since.

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     | Vasilii Polenov | John Smart | BELLE-CHOSE, Henri |


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