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Albrecht Durer The Wire-drawing Mill oil painting


The Wire-drawing Mill
Painting ID::  1058
Albrecht Durer
The Wire-drawing Mill
1489 Kupferstichkabinett, Berlin

   
   
     

Albrecht Durer Wing of a Roller oil painting


Wing of a Roller
Painting ID::  1059
Albrecht Durer
Wing of a Roller
1512 Graphische Sammlung, Albertina, Vienna

   
   
     

Albrecht Durer Portrait of the Artist Holding an Erynganeum (mk05) oil painting


Portrait of the Artist Holding an Erynganeum (mk05)
Painting ID::  20959
Albrecht Durer
Portrait of the Artist Holding an Erynganeum (mk05)
Parchment on canvas 22 1/2 x 17 1/2''(57 x 45 cm)Entered the Louvre in 1922 R.F.2382 (S/AR)

   
   
     

Albrecht Durer Portrait of Hieronymus Holzschuher (mk08) oil painting


Portrait of Hieronymus Holzschuher (mk08)
Painting ID::  21277
Albrecht Durer
Portrait of Hieronymus Holzschuher (mk08)
1526 Oil on wood, 48x36cm Berlin,Gemaldegalerie, Statliche Museen zu Berlin-Preubischer Kultcrbesitz

   
   
     

Albrecht Durer Self-portrait (mk08) oil painting


Self-portrait (mk08)
Painting ID::  21354
Albrecht Durer
Self-portrait (mk08)
1498 Oil on wood 52x41cm Madrid,Museo del Prado

   
   
     

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     Albrecht Durer
     b.May 21, 1471, Imperial Free City of Nernberg [Germany] d.April 6, 1528, Nernberg Albrecht Durer (May 21, 1471 ?C April 6, 1528) was a German painter, printmaker and theorist from Nuremberg. His still-famous works include the Apocalypse woodcuts, Knight, Death, and the Devil (1513), Saint Jerome in his Study (1514) and Melencolia I (1514), which has been the subject of extensive analysis and interpretation. His watercolours mark him as one of the first European landscape artists, while his ambitious woodcuts revolutionized the potential of that medium. D??rer introduction of classical motifs into Northern art, through his knowledge of Italian artists and German humanists, have secured his reputation as one of the most important figures of the Northern Renaissance. This is reinforced by his theoretical treatise which involve principles of mathematics, perspective and ideal proportions. His prints established his reputation across Europe when he was still in his twenties, and he has been conventionally regarded as the greatest artist of the Renaissance in Northern Europe ever since.

     Related Artists::.
     | Gilbert Charles Stuart | Eugene Alexis Girardet | Johann Jakob Meyer |


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